If thoughts seem still as a woodland pond, it may be because Mercury is stationary, ready to technically retrograde at 3:34 PM PDT of the 29th at 24 Gemini 43. (Or, if you can’t seem to light on any train of thought for long, that’s also a Mercurial stoppage of a sort, the kind that sends you round and round through the same ‘network’ of thoughts and offers no definitive satisfactions.)
The Moon in Capricorn will have just quincunxed Mercury shortly before turnaround, giving us the feels and probably making for some frustration: the emotions either seem obvious, sitting right on the surface, or seem to be in the depths, hidden even from ourselves–but most likely is a combination, that comes along with an awareness that, ‘this emotion is right in front of me, but I know I have feelings I just can’t pinpoint!’.
Merc in Gemini prompts some overthinking, and probably a yearning to ‘make progress’ somehow, to make up our minds about things, particularly the matters of the House in the natal chart where the retro occurs–or, we have the need to communicate without really knowing what our message is. There are two tendencies at this point, and you’ll likely choose one: thinking you can think your way through ‘it’, whatever it is, or a personal approach that relies on 1) scattershot attention, so that nothing gets focus, and so nothing gets done/ decided, or 2) turning to others for endless surveys of their opinions, what they would do, etc., which does nothing to move the matter forward.
None of those are wrong, but it is just spinning our Mercurial wheels. A retro in Air asks us to, in broadest terms, re-consider what and how we think of our world, so full awareness of our own subjectivity is highly useful, when we bother to compare it to the facts, the info available, to the prevailing thought on any matter. Again, neither is no viewpoint is inherently more right than any other; it’s in the comparison, the review of our own methods cast against the thinking of the wider world or the group, that we benefit, find mental inspiration, sort the wheat from the chaff.
The Cosmic picture at turnaround sets the stage for the retro period itself, with Mercury roughly three-and-a-half weeks ahead. Here we see Mercury at the point of retrograde pulling back just before, in direct motion, it would’ve conjoined Venus, suggesting a pull back in relationships or financial matters, a wait-and-see, or let’s think about this some more approach. First aspect Mercury in retro will form is a square to Neptune, promising that any fantasies we hope to sustain may hit the rocks on retro review, and also making it difficult to connect to inspiration or the creative ideal, probably because the mind isn’t ready to stick with a single idea, just yet.
Right about the same time Merc will also semi-sextile Mars and square Pallas, warning us: you may get antsy, want to act precipitously, but that wouldn’t be smart, or may be impractical. So don’t indulge in impulse, during this retro time. Inferior Conjunction with the Sun comes on the 11th of June, and should be the starting point for beginning to gather your thoughts. If you’re a wordsmith of any kind, work it and re-work it, and if you’re not, just let the mind sort through things at its own pace, and start paying attention to what occupies your mental space on the 11th. Don’t demand answers until a bit after direction, and you’ll be all the better for it.
A Lunar eclipse is by definition a Full Moon, a time when the Earth passes between the Sun and the Moon as they are lined up along the ecliptic, offering Earthlings a few minutes when the Moon is prevented from reflecting the Sun’s light. All bodies in our Solar system are more or less lined up along this plane; an eclipse is a point when a New or Full Moon occurs as the alignment of Sun, Moon, and Earth are closest, allowing either the Moon (during a Solar eclipse) or the Earth (during a Lunar one) to block the Sun’s light to the other body.
This Lunar eclipse falls on 26 May, at 4:13 AM PDT, at 5 Sagittarius 25, and of course does so close to the South Node (with Full or New Moon proximity to the Nodes being one sign of an eclipse). Interesting that the closest aspect formed is a sesquiquadrate with Mars in Cancer. With the ’emotion point’ of the chart itself being the meeting of Moon and Earth (with the Moon on the side of Earth opposite to the Sun), Martian energy in the Moon’s sign and in difficult aspect to the Lunar event suggests either aggressive, angry emotions stirred up by endings or conclusions brought by the Full Moon, or that actions or choices (Mars) made because we care (Cancer) bring forward a tough situation (sesquiquadrate).
The Full Moon is also semi-square Zeus, in wide square to Jupiter, and quincunx Ceres. Our desires (Mars/ Zeus) are under pressure (semi-sq and sesqui), and it doesn’t look like we have the opportunity or support we wanted from the larger social sphere or from the facts themselves (sq to Jupiter), and this may cause a dilemma, a need to adjust course (qnx) and make choices based on a realistic picture of our own authority in the matter (qnx Ceres).
The Sabian symbol for this eclipse is, ‘A Game Of Cricket’. Though we’re likely to take what occurs very seriously, we would do well to keep in mind that everything in life is a kind of game. A lighthearted take, or one that is willing to take reasonable risk, or to not take injury too grimly, will serve us well. Know what you’re risking, make your moves, and be willing to lose once in a while, seeing it as the Universe pointing you in another direction. The game metaphor may be old and even trite, but it applies: to succeed we have to be willing to play, to risk, and to know when a win is really a win, and when it’s a distraction from our actual aims (one indication that it’s a distraction: it seems like an end in itself–also when it only makes us want more/ something else).
The Sun has the Sabian, ‘Workmen Drilling For Oil’. The richness of life is there, if we’re willing to work for it, to ‘drill down’ in the right way and in the right place, if we’re willing to ‘get our hands dirty’, as the saying goes–and that means openness to dealing with the nitty-gritty, putting in the time and effort, hoping we can ‘strike oil’–and knowing there’s no guarantee–and that means when we come up dry (that is, when our goals elude us over significant stretches of time and despite all efforts), we need to be ready to declare it a bust, and move on to more promising ground that is more responsive to our efforts–that latter an important point, when pursuing what we want.
Whether the Full Moon is a trigger, ‘lighting up’ feelings about what we learn, already knew but must now face, or discover (Sagittarius), or an ending that opens space for a whole new way of seeing and understanding the world (Jupiter), we need to see that as an eclipse event, it wipes out old circumstances represented by matters of the House in the natal chart in which the event occurs. We learn might be the motto of this Full Moon as it removes previous conditions and presents us, likely via knowledge gained or revealed, or beliefs tested, with a whole fresh assortment of facts.
If it falls in the 1st, we might learn something about ourselves and our interactions with the world; in the 2nd, something around our true talents or about what assets we bring to the table or are capable of earning; in the 3rd, new knowledge or beliefs change our minds or method of assessment; in the 4th something about the family life is revealed, or we have to face facts about the place we see as our current base, or about who we are, deep inside; eclipse in the 5th in Sag says something about what we must risk, or what we must create, in order to get what we want; the 6th brings knowledge that shakes up the everyday, or that re-orders our sense of duty or obligation; in the 7th we may observe what we need to see about ourselves or our situation acted out by others, or the changes come with or through partners or in response to what our ‘audience’ tells us; in the 8th things shift and are revealed through the act of sharing or interdependence, with our cooperative arrangements likely to re-balance; in the 9th the eclipse may force us to reach out, or makes the very instance of discovery or learning into the event itself; falling in the 10th it’s public–others can see, and that may create changes in the career or status; in the 11th a group of which we’re a part may take on a different role in our lives, or we take on a different one in the group–falling here the eclipse may also alter or deliver a long-sought dream or goal, or pave the way for its realization (or final denial); and in the 12th the Moon’s message may arrive in dreams, meditation, or in a realization about our place in the larger Cosmos, or we may find a new chapter opening when we’re under the sway of something much larger than ourselves.
All these potentials include the possibility of expansion, of widening our world, or of gaining experience; we might also find out about our temper and how it drives us, our true power within our own current situation, the difficult or less attractive parts of our ambitions, or we may discover how much we care, even (or especially) if we thought we didn’t. Prepare to have to face the depths of emotions around things we’ve been framing as casual, as something we can take or leave; the eclipse tells us what we need to know–all we have to do is acknowledge that we really want ‘it’, we deeply care about ‘it’, or that we genuinely need ‘it’–and go from there.
On the 10th, during the Dark of the Moon, we may get a shock, as the Moon conjoins Uranus in the world-weary material realms of Taurus. At roughly the same time, Moon-Uranus sextiles Mars and finds itself caught at the midpoint of Chiron and Mercury-North Node. Normally the Dark period is quiet, at least psychically speaking, the energy muted with many of us having the sense that we’re a little apart from the world. Things happen, but we either aren’t yet aware of them or we’re not aware of the full implication of events, as if we’re having trouble intuiting, or maybe feeling, our connection to what occurs.
This time we we may be surprised, or just enlightened, by some revelation, or even some revolution, that we’re witness to. It affects material matters, our security, or our comfort, and at the same time prompts us to act or choose, with the spurring event either evolving from the convergence of past hurt and current, clear thinking about the future, or leading us to a better understanding of the past, ourselves, and where we want to go–and so making what we need to do to get there clear.
That’s the lead-in to the New Moon, which forms at 11:59 AM PDT on the 11th at 21 Taurus 17. We’ve received some flash knowledge the day before, and we see the results of that in two potent aspects: the NM conjoined the Black Moon Lilith point, and the NM as apex to a perfect Finger of God with base of Juno and Zeus. These tell a story that may be a little scary, a little hard to take, simply because we may be faced with some of the more hidden parts of ourselves–and the things we deny, or repress, or think are behind us when they’re not, are some of the most difficult things we ever have to deal with–and they’re all inside us, so challenge us to be unflinchingly Self-responsible–and that’s never easy.
The conjunction speaks of the New Moon beginning/ event as driven by things we’ve ignored, denied, or that have in the past enraged us. It’s the kind of powerful energy that can move us to major feats, to redemption, but also has the potential to simply enrage us all over again as we’re forced to acknowledge something we thought carefully buried! So, we can make the best of it by recognizing what we’ve put aside and then using it as a catalyst to do what needs doing, or we can sink into an abyss of anger at our own choices, pointing fingers at who’s responsible–but by now it’s obvious, the Finger points at us.
With a base of Zeus (the ambition and desire nature) and Juno (empowerment, status, the role we play), this configuration suggests that the dissonance created by the New Moon revelation/ event is the direct result of our own wants and our attempts to bring them to fruition. These two components of our lives have worked together to bring about this New Moon result, and vice versa, the New Moon tells us a great deal about our actual wants, and our actual empowerment situation.
The New Moon also sextiles Neptune and Pallas (wisdom, practicality, and creative energy are all available to address what comes forward; we just have to make a little effort to apply them), trines Pluto (change or transformation is easy–in this instance a kind of ‘magical power at your fingertips’ aspect), and noviles Chiron. This latter is interesting in light of the 10th, when what occurred (or occurred to us) was related to our sense of hurt (or, in some cases, our very unique personal skills); now a novile says that we have an exceptional ability to heal and/ or utilize that energy in positive ways–it’s so strong, we don’t even really need to try, which means that appropriate healing will occur, even if we don’t see it as such–at least, we may not see it that way yet.
Neptune and the New Moon create another Finger of God base, this one with an apex of Zeus in Libra. This suggests that our purest creative urge, when driven by the New Moon energy (that is, a likely material, Arts-related, or comfort-keyed energy), may inform our ambition pursuit, and possibly connect us with others who can make our desires a reality.
Also of note: Jupiter sits at the stressful 29th degree of Aquarius, signalling one of several things: that the intellect suffers under strain that comes from what we’ve learned or realized; that the social sphere around us is in some way at a tipping point, when feeling (Pisces) will soon overtake the mental lens (Aquarius) we’ve been using for some particular subject; that we’re presented with a crisis or stressful situation that is in reality a major opportunity; that knowledge we’ve acquired or ‘the facts’ of the matter will force us to choose or act–in this case, we’re at the end of the road, there’s no getting out of it.
The Sabian for the New Moon is, ‘A White Dove Flying Over Troubled Waters’. This might be the stance we need to take for what’s coming: bring nothing but a pure kind of peace, an intent to do no harm, to whatever roiling situation you’re faced with. If you find a particular situation is missing something, rather than blaming someone else, what we need to see is that we didn’t bring the missing ingredient, either–and if we choose peace over anything else, as long as it isn’t camouflage for passive-aggression, then we’ll be, at a personal level, in the best position possible to cope, to thrive, to ‘rise above’. And that’s what we all ultimately want, isn’t it? Peace?
What we have to share with others is rarely as tangible as a piece of fruit. ‘Basket of Apples’ By Levi Wells Prentice {{PD}}
Part 1 is here. In continuation, a couple of quick examinations will make it clear that it’s not always easy to distinguish between our actual talents and those things we are, one way or another, obligated to share with the Collective–and then there’s what we want to be in life, the image we want to have in the world, our ideas and beliefs about who we are, and what the social order tells us we are or expects us to be. All these cloud the talent picture and contribute to confusion over how we best fit with and serve the Collective–and it almost goes without saying, what genuinely serves the world serves us as individuals, as well.
Individual Distortions Can Affect the World: Adolf Hitler
Politicians make good fodder for this study, simply because what they do and are affects so many others—they’re the rare individuals whose personal abilities matter to the largest number of people. Though he’s been studied relentlessly, Adolf Hitler (20 April 1889 6:30 PM Braunau am Inn, Austria) is still a great example of what happens when an identity crisis, and confusion about gifts, takes on serious proportions–and if you’re sick of Hitler, just skip ahead to the next example.
He has Scorpio on the 2nd, the House holding Earth, ruler Pluto in Gemini in the 9th (and co-ruler Mars in Taurus in the 8th); on the 11th we see Leo, with the House holding Saturn and the Midheaven, ruler Sun in Taurus in the 8th. Talents revolved around a serious ability to make a material impact through intense communication that goes far and wide (Pluto in Gemini in the 9th), with personal action supported by others in aesthetics or by offering security or comfort—and obviously he showed this with flying colors, by extreme negative example. (And we note, Pluto is conjoined Neptune, a classic contact of misunderstanding, misinterpretation, confusion–which directly affects his own interpretation of his talents, since Pluto rules the 2nd).
With an Earth element Sun at 00 of Taurus (and with ruler Venus also in Taurus, retrograde), Hitler was almost bound to confuse the just-budding aesthetic sensibilities to which his Soul was then turning attention with the Scorpionic intensity of the House of talent and its ruler placements, which likely made him feel (along with Mars in the 8th) that he was perpetually in danger of having his sense of identity, his manhood, and his Will totally subsumed by others, and specifically by their teachings or philosophies (Pluto in 9th plus potent 8th)—not to mention the way others disregarded his attempts to create a career as an Artist. The ‘too soon’ placement of the Taurus Sun, plus the too heavy emphasis on the ‘permission’ of others—the 8th—or of schooling—the 9th—tell us he was unlikely to make headway as an Artist no matter what—this is in spite of the ‘look what the world could have been saved from’ assertion that laments how, if Hitler had only been accepted into Art School, the Holocaust never would’ve occurred.
This line of thinking is typically offered as if merely giving someone what they want will make them a kind and cooperative individual–and anyone who’s tried to appease another knows this ain’t so. The chart proves Hitler’s frustration was inevitable—(and that it was his choice not to learn artisanship—Taurus—that would’ve begun cultivation of and development of genuine artistic abilities). Because Hitler’s attention remained largely focused on himself, in real terms he may never have consciously addressed why he might be here, and what he might have to offer; he was too caught up in the sense of personal struggle (Mein Kampf, and those 8th and 9th House connections) to get beyond that. But what did he really have to share with the world?
It could be said that Hitler came equipped to share the difficulties fostered by vanity and intricacies of how to ‘shine’ in the social sphere, and what the need for Self-regard, both Self-esteem and Self-awareness (all Leo), will do to someone who doesn’t have that genuine Leonine regard for the Self (and so seeks to form the world around them to supply the esteem they lack). The ability to wield power, to make and re-make, to rise from the ashes (Scorpio/ Pluto), especially mentally (Gemini) and philosophically (9th), is there; he could’ve served as an example of how to find one’s place in the larger order, to cooperate and support others (11th, 8th House Sun), but the insecurities plus the Leo energy seem to have overwhelmed any potential positives–he went straight to bully for and grab the personal glory, as soon as his initial impulses weren’t valued–a childish response that unfortunately had the power of Pluto behind it, to the detriment of so much and so many.
Too, consciousness about what every individual contributes to the Collective, and of the role of an effective group leader (MC In 11th), as well as awareness of the virtues and dangers of elevating a sense of discipline and rules above common sense (Saturn) appeared to have been part of his potential offering—and all these he did share, in one form or another—but until he embraced the individual role within reality and the established order (Saturn in Leo) and the interconnectedness of all people (ruler Sun in the 8th), especially through their interdependence materially (Sun in Taurus) he would live and die unfulfilled—and I think he did just that.
Food For Thought: Anthony Bourdain
The late chef, author, and travel host Anthony Bourdain (25 June 1956 8:35 AM New York New York USA) carved a career not just from his love of and expertise in the world of food, but from his presentation of first the culinary world (in books like ‘Kitchen Confidential’), then the world at large (in several shows such as ‘No Reservations’), through his restless and very particular personal viewpoint, focused through food. The Cancer Sun of course fits someone for whom food occupies an outsized role in the life, and its placement in the 12th House might suggest he would’ve been destined to thrive behind-the-scenes, in the kitchen rather than before the camera–so what happened?
When we look at the 2nd of talents and personal assets in Bourdain’s chart we see an empty House filled by Virgo, with ruler Mercury strong in its own sign of Gemini in the 11th of what one has to give the world, goals, friendship, and group involvement. Now, we know that an empty House doesn’t mean ‘no talent’, but it does place an exceptional amount of importance on the situation of the House’s ruler. We might translate this as a talent for critique and communication (Virgo)–a strong one, with Merc in a sign it rules–with the signal that the ruler landing in the 11th means this is the real talent, the one he was meant to share, no matter how otherwise nurturing life in the kitchen may have been.
The 11th also holds the South Node, which is conjoined Mercury, suggesting past knowledge that can be applied to talent expression, and Venus, which is not only retrograde but is also major body of latest degree in the chart. Venus in Gemini reads as communicating beauty and values, but when we factor in the retro condition and the latest degree position, we may find someone who always ended things, especially relationships and weighing the worth of things, at a mental stalemate; too much mental activity, too much musing over the meaning of things, may have short-circuited his relationships with the things and people he loved–so the world could’ve felt to him a very lonely place, as his own mind created distance with others, or a too-critical note with values or interactions better just enjoyed.
This is important to the talent picture as Venus is both the rewards we receive and the enjoyment we partake in–and Self-expression suffers, nay, doesn’t even happen, if we’re not getting those pay offs. Venus rules the 3rd of thought/ communication, linking it even more firmly to the Mercurial/ talent energy, and also rules the 10th, making it vital to the career–and this latter may carry the implication that the career would never offer the Venusian rewards and good feeling we all look for, considering the connections it has to overthinking and the inevitable disappointments of a naturally critical assessment of things.
Venus is part of two Fingers of God: one sees Venus sextile Sedna, apex Saturn=combining the desires, love, assets with what one ‘knows but doesn’t know’, what the instincts inform of, can successfully shape the real world and the reality picture–that’s hopeful, and certainly one of the ingredients behind his success; the other has Venus in 11th sextile Pluto-Jupiter-Zeus in the 1st of Self, apex the Moon-Hygeia combo in Capricorn in the 6th=at least some of that thinking and re-thinking about relationships, what’s worthy in life, about values may be stirred by ambitions, knowledge of the wider world, and all the fears, sensitivities, and destructive elements he’s seen on a day-to-day basis.
Relationships themselves, even money (Venus), may have felt like the thing that brings opportunity (Jupiter) and allows ambition fulfillment (Zeus), and also promises destruction and power struggles (Pluto)–though the optimistic potential for transformation (Pluto) may have helped him go forward for quite awhile. And, Venus trines Neptune-Vesta in Libra=easy to be misled, to lie to oneself, to imagine things are ideal–and that violates a genuine belief in the sacredness of human interaction (Vesta), especially at an intimate level. Essentially, this may bring cycles of disappointment if ideals or creative perfection aren’t reached. So, lots of conflict inherent in the way the psyche processed relating to others, even as there may have always been a spark of inspiration and hope for the ideal in relationships.
And we haven’t even talked about Mercury much yet! Only two more things here I think might apply to the talent and asset picture. Mercury is apex to a Fist of God with base of Neptune-Vesta square Hygeia-Moon. That suggests there was a basic conflict between maintaining a healthy emotional state and pursuing creative ideals, making ‘the dream’ happen (and this in any area, career, relationship, and so on), with the stress likely coming from the Neptune in Libra tendency to over-romanticize intimate relationships, and Vesta insisting on seeing every close connection as sacred. The continual tension (the square of the base) that arose from knowing that loving relationships aren’t fantasy-perfect (Venus in Gemini trine Neptune-Vesta), that such an ideal wasn’t healthy (square to Moon-Hygeia) pushed the Mercury apex for an answer–but does an unsolvable problem, or maybe a wish like this, have an answer?
The Geminian Mercury outlet probably saw the mind as the ‘way out’, believing it was up to him to sort it out, get his head on straight, so to speak, with belief in the responsibility of the Self strong (Jupiter–the belief system–in Leo in the 1st). With Merc in the 11th, this was a line of thinking (that probably felt like a life-line!) that said pursuit of dreams and goals would almost magically (Neptune is involved, after all) resolve the ongoing tension–and though reaching goals or achieving positive relationships may have temporarily alleviated the dilemma, it wasn’t a permanent answer, as the ideal vs. healthy/ real dissonance continued (Merc sesquiquadrate the base square).
Mercury is also conjoined the South Node and part of a T-square with the North Node, with all squared by Mars in Pisces in the 8th. That Mars placement could put a lot of pressure on a man to live up to his ideal of the ‘perfect man’–and in the 8th his short-comings in this regard could’ve felt very public, with a tendency to project his own beliefs and expectations of perfection onto others, making him feel they were judging him, or pressuring him to meet their standards–and that’s a tough complex to go through life with. The square between Mercury-South Node and Mars could indicate an elephant-like memory for things said to him in the past by others, especially friends or in group situations (8th and 11th)–and we all know how judgements made of us, even casually, can echo for the rest of our lives, sometimes crippling our Self-image unnecessarily.
The T is of course a tense aspect, with the thinking and perceptions melded to the past in some form (in his case, maybe a constant awareness of his own past, which included addiction), and by sheer placement, somewhat contradictory to the idea of progress, of going forward into the future (NN). Mars in square adds stress to every thought (Mercury) and action (Mars)–is this the right thing to do, considering my past, and looking toward, and trying to move into, my future? Again, a refrain that doesn’t have an answer–though a sense of traveling and learning certainly helped him cope (Mars rules the 9th).
Perhaps surprisingly, what Bourdain had to give the world was his unique way of thinking, processing, his critical eye on the world around us, and the way that world is reflected through culture and a culture’s choices about food. That’s a pretty wonderful legacy, opening our eyes, giving us a greater sense of what’s out there to be explored, and emphasizing how no matter our differences, food connects us all.
Hangin’ out with the party planner. ‘Bacchus, Ceres, Proserpina and Pluto’ By Pieter van Lint c1660 {{PD}}
In both senses of the phrase: Pluto enters apparent retrograde (a visual phenomenon caused by our viewpoint here on Earth), and in going back over territory he just crossed, returns, we might say, to the scene of the crime. With this latter meaning we see the god of the Underworld re-trace his steps, with the result for us that anything shaken loose, ripped open, torn asunder, or apparently destroyed or transformed recently (since roughly late December-early January) will get a second look.
Pluto turns around at 26 Capricorn 48, with only a single aspect on the horizon, as Ceres heads toward perfecting a square with the ‘heaviest’ planet in the solar system (yes, it’s a planet! I insist). Heaviest, of course, describes the impact of something so slow-moving, the psychic grind akin to the passage of a glacier over the tundra–it creates tremendous pressure, a weight that flattens in slo-mo whatever is in its path. We might initially think that this is a totally destructive interaction, but in reality it creates, as well. Intense pressure forms diamonds, and releases seeds from their shells as when fire sweeps a forest floor. Pluto can bring the loss or tragedy that sets us on a new and better path, and we need to remember that when something is destroyed, that makes room for a fresh beginning.
The Ceres aspect is already in effect and will remain so as Ceres completes that last little span, with the aspect perfecting and then beginning to separate by the 30th. It’s not unusual for another body to be the instigator in an aspect with Pluto; it’s almost inevitable that the majority of Pluto aspects will be formed as other bodies move into position– seeing Pluto make the contact itself is rare.
Here we have the king of the Underworld in a conflict dynamic with his mother-in-law, who just happens to be Mother Nature herself. Don’t forget, their power stand-off was a formidable one that involved Ceres negotiating for time with her daughter–and Pluto conceding some, which should tell you what a powerful figure Ceres is. Symbolically this is a clash between gods, the meeting of entities that represent and control primal forces, one side chiefly generative in its thrust (Ceres, life-giving) and the other with the capacity to take things to ashes (Pluto, destroying), but with both also containing the opposite ability; that is, death is the inevitable end to life, and from nothing (which we can call death) comes the spark that creates new life (the phoenix potentials of Pluto).
Difficulties between these two were over a third entity, Ceres’ daughter who became Pluto’s wife, Proserpina/ Persephone. I’m struck in this situation by the way two Beings who hold immense amounts of power take it for granted that it’s within their rights to decide the fate of another. Ceres oversteps in a motherly way, trying to control the commitments of a grown daughter, while Pluto oversteps in the way of a partner who sees it as natural that he decides how his significant other spends her time. In essence, neither respects the individuality and autonomy of Persephone; neither sees her as a complete Being with rights of her own.
Pluto is currently in Capricorn, suggesting that his energies are concentrated on breaking down established norms, authority, and structures societal, governmental, and that offer security, dependability, regularity. Ceres squares him from Aries, implying a strong individual Will comes to call out (and so question) Pluto’s destructive priorities. Pluto is always looking for a clean slate, whether that’s a productive approach or not; Ceres is always looking to exercise personal authority, even if it infringes on others. Both have trouble with boundaries (and by trouble I mean neither one recognizes those, unless another equally strong individual steps forward to enforce them).
There’s also the fact that Pluto carries an implicit promise of re-generation, while Ceres carries one of the inevitability of Nature always returning to balance–so at the very least, that tells us that despite the clash, a compromise will be reached when these two meet, a balance agreeable to both destructive and generative energies.
So, we have to ask ourselves what developed since late December that caused something destructive, a loss or elimination or change that struck us profoundly, that in reality has broken open the seeds of a new venture, that has offered greater personal autonomy, or that has altered the power balance or our own relationship with Nature (with this latter think health, or our own efforts at growing or producing natural product, as small as herbs on the windowsill, as big as agribusiness or the construction of a dam). That change-through-loss now offers us a new (or renewed) path–and over this retro period we’ll have the chance to review what changed, to course-correct, and to exercise our own prerogatives along ‘natural’ lines in shaping what the results of that loss or removal will, ultimately, bring.
This will very likely frame itself as some form of You (the ‘I Am’ of Aries) versus the current powers-that-be, which are undergoing inevitable changes of their own (Capricorn). Expect to negotiate; know that Mother Nature will have her say, will figure in (remember that ancient commercial, ‘It’s not nice to fool Mother Nature’? Don’t even try); and be aware that there is a quiet but central entity somewhere that needs to be listened to, if only to show the Universe that you’re not an egotistical brute (Aries) or a rigid conformist (Capricorn) but someone who’s fully aware of and considerate of the impact your choices have on others.
Also note: as Ceres moves away from Pluto, Jupiter comes along by sextile, with the aspect perfecting as both are in 29 tense degrees of their own sign, this on 5 May. Expect feedback over the negotiation/ change/ power struggle, from the social sphere, via irrefutable facts, with an infusion of knowledge, or with a new sense of optimism or access to new opportunities. That should tell you: don’t be afraid of loss or change, something new always, always, comes from it, and whether you are able to see it or not, it’s always to your benefit (eventually, though in-the-moment it can be quite hard to believe–another Jupiterian concept).
‘Moonlight in the Adirondack Mountains’, Photographer Unknown {{PD}}
The Full Moon perfects on the 26th at 8:32 PM PDT at 7 Scorpio 06, with the Sabian, ‘A Calm Lake Bathed In Moonlight’. In Scorpio a lake is dark, with an uncharted floor, mysterious, a symbol of considerable gathered emotion, calm on the surface, but promising something in the depths, maybe something hidden in caves or grottoes yet to be discovered. A Full Moon with this image suggests there’s a large well of emotion, one with many facets of which we’re not aware, that will either reach peak or reach capacity, with the former implying the highest (so most strenuous) point of feeling, while the latter says the dam may break, the feeling overflow, and so need release. This may bring the emotional scenario to an end, or it may allow ‘breathing room’ in order to go forward.
I like tight orbs for a crisp Lunar picture, and here we have lots of contacts that don’t strike me as relevant, at least not in an event chart. They imply some ‘befores’ or ‘afters’ that don’t figure in, with orbs so wide they don’t currently (or won’t for some time) count, so I’ll stick with my usual. There is an approaching opposition to Uranus that promises the FM may take us by surprise; revelations, specifically about secrets, our feelings around our material situation, and shocks, delivered by friends, groups, or an unanticipated ‘modern’ way of doing things, could arise from Lunar events (and then be acted upon via the approaching trine to Mars, and blocked or become a reality by the approaching square to Saturn, with the cost or the payoff announced by the approaching opposition to Venus–but I digress, or maybe jump too much into the future!)
There’s also a sextile to Vesta, which tells us that the Full Moon will in some (relatively easy) way show us something about our values and what we dedicate our time and energy to. Lunar events may show us what needs to go in the commitment department, show us ways to enhance our honoring of and dedication to what we find sacred, and may reinforce responsibilities and relationships we’ve been wavering on, either to clear them out with Full Moon energy, or to enter a new stage of the interaction, a ‘next step’ for the future.
There are two other aspects of note, which with the Full Moon form a Fist of God: Hygeia squares the FM, and both sesquiquadrate Neptune. Health matters, physical, mental, spiritual, emotional, give us a problem we need to resolve–if we do so successfully, we can create an ideal, can reach into the hopes and imagination and bring a desire for ‘perfection’ in some form into being; if we are unable to handle the problem presented, we may retreat to fantasy, confusion-as-an-answer, or ‘drown our sorrows’, at least symbolically speaking. I need not tell you which of those responses is preferable.
We always look at the Sun’s Sabian for a Full Moon, as Sol emits the light that makes the Full Moon possible: ‘A Sleigh On Land Uncovered By Snow’. This speaks of being inappropriately equipped for the situation. What thing are we carrying around, in our heads, in our psyches, or in the physical world, that’s not of use to us at all? This is something that under other conditions we would find quite useful–but right now that’s not where we are, and we may want to think about the unnecessary emotional burden this could signify. Typically we hold tight to things we’re not using when we’re convinced we may need them later, or we have a philosophy of ‘just in case’. This image likely relates to the Fist, telling us that we can take the energy required to maintain the useless thing and translate it into something of an ideal realized, a dream come true, or an inspired perspective–much more useful than allowing something that doesn’t fit the current landscape to take up space.
‘Girl Eating an Apple’ By Godfried Schalcken 1675-1680 {{PD}}
Just a pair of tidbits for your weekend: the first is the Saturday Mercury-Venus conjunction in Taurus square Saturn in Aquarius. Beautiful thoughts and words, accompanied by a celebration of the senses, could be delightful, but also runs the risk of ignoring reality, especially those ‘Higher Mind’ issues that should be guiding us. Even if we ignore our own sensibilities and dive in head first to earthly pleasures, it’s likely the world will throw barriers in our path or otherwise frustrate us–so if you’re suddenly stopped short, it’s a hint that you may have gone too far, or too long, without a needed reality check.
By Sunday Merc-Venus has moved on, and now sextiles Pallas in Pisces. This may be the day we’ve been waiting for! Thoughts, relationships, assets, all support wise choice and use of our most well-honed skills, employed to make a ‘practical fantasy’ a reality. Nothing wrong with that, right?
Have a lovely weekend, stay safe and sound–the Full Moon report follows.
This originally appeared in ECLIPSE, and has a second part that will follow.
We start by defining the difference between these two Houses in terms of assets and output; in both Houses we find qualities and talents inherent to the individual, gifts, abilities, and in each House the question is, What should be developed, shared, given away, or used to earn? In the 2nd we find material assets, including those earned through personal effort; we also find inborn talents, those things about us that can be considered a kind of natural asset—this is typically something that can be seen by material application: singing, artistic sensibilities that can be applied in multiple arenas, intelligence that takes a specific form. Our actual property falls in this House, as well (unless it is shared with others, then it is in the 8th).
Any talent we carry in or that is related to the 2nd is something we should rightfully expect remuneration for. These are things we value in ourselves, and that others value about us, and so are willing to pay for expression or sharing of—and these are things or talents with which we can do what we will, develop them or not, share them or not—others can’t really take them away from us, we must let them go (in the case of cash) or ignore or ruin them (in the case of talents or assets), for us to experience their loss—otherwise we can sing (Venus in the 2nd, perhaps) or write great speeches (ruler of 3rd or 9th in 2nd) our whole lives.
The 11th has a much different asset character, though in many instances there may be a little (or a lot) of overlap between 2nd House talents and what we find in the 11th, namely What We Have To Give The World. Rather than purely talents or assets, this House describes very particular inclinations, abilities, and gifts that we have specifically designated as not just worthy of sharing, but that we alone can provide with a special combination of ability, viewpoint, experience, and talent—and we have promised this, in some form, to the world. We are obligated to present these things; we may see fame from this, or give unrecognized, and we may experience very little of the actual asset we are sharing on a personal level. What we share from the 11thflows away from us, and there’s nothing that promises we will receive anything in return. When people say, “That’s what she came into this world to do” they are often referring to this 11th House offering; instinctively others know when it is manifested.
You’ve heard the saying, “Everybody has a story”? The 11th House assets are the equivalent of this in the form of talents, lessons, information, and gifts we have promised to share indiscriminately and on a large scale. When we share 8th House assets, we have an ‘us and them’ mentality, with awareness of how the assets are being distributed, who has what, and so on, while 11th House sharing goes one way, out from us, and we may only partially choose recipients or an audience; these are meant for everyone to partake in if they choose, and can be regarded as gifts to the Collective/ group.
Does that mean we always give away what’s in the 11th? Not necessarily, as the 11th is also the income House of the 10th of career or vocation. The 11th can be tricky to define in this asset sense, as it covers the spectrum from what we wish for, to our goals, to those things that are much more ephemeral, like our attitude toward groups and organizations (and toward the world, by extension), our prayers and intentions, and our hopes—but in with all those things are factors we will share in the course of pursuing our goals, dreaming and hoping, and through interactions with alike others.
The elements can give us a general idea of our proclivities, with Earth signs suggesting material manifestations or a focus on earning for what we do, Air signs implying the world of thought, the intellect, and ideas is the focus, Water suggesting we may appear to others to be more passive or receptive, almost offering the impression that we don’t generate anything, but the Water signs will have a direct link to, and often have the expression of talents shaped, by the emotional experiences, and Fire signs give an activist-orientation no matter what the talent or abilities.
This is part of a continuing series begun last year where I asked readers to send in their questions about aspects, specifically natal aspects, they wanted to know more about.
Hi Julie I am going to take a step in to play!! Aspect: Conjunctions.. “blind spots” not noticed in the past, yet now it seems I am aware of that aspects signature more (Birth data removed)
Be safe!! Love and Blessings!!
Dear Reader,
First, a thank you for your lovely wishes–I hope you’re staying safe, and thriving, well-blessed, too!
A little bit about conjunctions: natally they tend to weld two energies together for a lifetime, particularly if the conjunction is close (say, at or less than 2.5 degrees). This can cause the individual with the aspect to find it particularly hard to deploy the energies separately. For instance, a Moon-Mars conjunction can mean that hurt, sensitivity, intuitive perceptions, or emotional reactions can all be answered with anger, assertiveness, or a hot-footed insistence on doing something in answer to the feeling. This duo may predispose one to a fear that emotional expression may bring only anger from others, or that anger itself is the only acceptable emotion. But, this same combo can also mean that the feeling nature and the action urge can work in well-synchronized harmony, since they (likely) sit in the same sign, and share the same sensibilities (we’ll skip thinking about conjunctions that straddle two signs, for now!) Working together, Moon-Mars could make the individual highly dependent on the feelings to get them moving, or on the intuition to know what to do, with the down side that this could short-cut past the mind, leaving reason ‘out in the cold’ when it comes to choices and actions.
One of the biggest impacts of a conjunction, though, is the way it can make matters of the two Houses they rule (when the conjoined are major bodies) work together. In a Whole Sign chart using the same Moon-Mars example, we would find cooperation between the House holding Cancer and the House holding Aries. It doesn’t matter what sign the conjunction itself falls in, those two Houses would still find their subjects enmeshed, sometimes for good, and sometimes in more difficult ways. By example, we can consider a situation with that Moon-Mars conjunction ruling Aries in the 7th, Cancer in the 10th. This might mean that the individual’s ‘I Am’ and initiative (Aries/ Mars), when triggered through partnership or the creation of Art (7th), will automatically strive to show the emotional palette publicly (10th), through career or in support of the reputation, or even in business. ‘I Care’ (Cancer) would always prompt ‘I Act’, and would likely focus through interaction, presented to an audience or even just the spouse (7th), with the result aimed at enhancing the reputation, furthering the Self’s public cause (also known as the career), or letting the world know what the Self cares about (10th). There are lots of possibilities; it’s the entwined nature of the expression of conjunction energies themselves, and through the Houses they rule, that’s important to keep in mind.
Now just a few observations; this isn’t definitive, by any means. You, dear Reader, have a number of conjunctions we could discuss that I think would be helpful to others, and today we’ll look briefly at two clusters; first, your Chiron-Venus conjunction in Aquarius in the 7th (note: Chiron is novile the Sun, while Venus is closer to a semi-square, though both are novile Pallas), square Mars, opposite the Ascendant, quincunx the South Node, square Neptune, widely opposed the Moon, and sextile Black Moon Lilith; Chiron is also sesquiquadrate Vesta, while Venus makes no contact. This weaves Chirotic energy directly into the personality, into the identity and the Soul’s purpose (all through the Sun contact) in a way that informs the way of Being in the world with a unique viewpoint and a bit of genius via skills, especially healing skills (the novile), playing up the innovative qualities (Aquarius) through the creative Piscean Soul (Sun) and fusing them with Love (Venus). But, Venus’ rougher aspect adds this: that relationships and/ or finances don’t come easily, that there may be lessons to learn to adequately answer the questions, What is Love? What is really an asset (i.e., worthy)? What can–and should I–own?
We get a clue about potential areas of Venusian difficulties via the Houses Venus rules, the 3rd and 10th, which could imply that ways of thinking or communicating may be a big part of the problem, with the ability to understand others (Libra in the 3rd, Venus in Aquarius, the sign of understanding) potentially the main issue. The sextile to Black Moon Lilith implies it may be easy to ignore what you find unpleasant–and that could complicate communication, as well. The 10th may suggest issues are with those in authority, with business practices, gum up the career, or are very visible to those with whom you interact, to the point that they are part of the reputation. Too, with Libra involved, you may be known for your gentle diplomacy–or for your passive-aggression, both Libra specialties! The square to Mars says action and choice always seem to either be forced or come rapped up with difficulties in executing the Will; it isn’t hard to see how mental processing or communication issues could set the stage for awkward reception of your actions and choices.
The fact that the conjunction falls not only in the 7th but so closely opposed the Ascendant may create a tricky dynamic: a kind of echo around choices and actions that asks, ‘Will this hurt?’ and ‘What will it cost me?’ with the added difficulty of either not being sure whether these potentials are coming from the actions of others or from yourself (the 7th, either seen as your own energies or projected as belonging to others)–and this could suggest that you see others as having communication or anger issues that are actually your own, as the Universe loves to confront us with others who show us in bold type our own failings.
The novile to the Sun suggests the Soul finds ingenious ways to express its healing nature and skills (these being the positives associated with Chiron), but also funnels this hesitancy surrounding a sense of vulnerability directly to the identity and may impinge on the Soul moving toward expressing its purpose. But, the Pisces Sun sits in the 8th, reinforcing that possibility of mistaking one’s own methods and motivations for those of others, but also steeped in the creative energies derived from interaction with and cooperation with others. One issue may be that you offer healing even when others don’t want it! perhaps creating the dissonance of the Venus semi-square, making relationship a bit tense at times.
This is it me or is it them? confusion may be central to the Chiron-Venus in 7th in Aquarius: anytime there’s hurt or a potential for healing (with the Self or in relationships), in the asset picture, or in your view of your own talents, you may either 1) intellectualize things, thinking you need to ‘figure it out’ or justify matters before you can accept that healing potential, or 2) see either the healing or the hurt as potentially coming only from others; that is, you may not recognize your part in things (i.e., that others can’t hurt you unless you agree to feel hurt, for instance). The sesquiquadrate between Chiron and Vesta could imply that only when wounded do you consider deviating from your highest values–but with Venus there, Love likely pulls you back from that precipice very quickly.
The approach to Love, Money, and injury, psychic, emotional, or otherwise, may also be intellectualized as a way of Being; that is, you may go deeply into these subjects theoretically, while in the real world you may feel either that thinking about how they operate is enough, or that others are more responsible/ have a more intimate relationship with these matters than you feel you do. This could also show as a tendency to think about things, especially relationships or assets, and feel that you’ve then dealt with them, without taking any action, with the square to Mars showing just how hard that can be for you.
One good potential with that Venus-Chiron/ Mars combo is that you likely work very hard to define and express yourself, and that your sensitivity levels, especially to others, are very high. There is probably a high degree of conscientiousness and a determination not to harm others. It may be vital for you to operate (that is, to act or choose) only when you are both intellectually and heart-centered in any matter–another meaning for the Mars square, then, may be you holding yourself back until you are sure of what you want to do, vetted against all that’s most important to you in life.
And a word or two on the Venus-Neptune square: this is an out-of-sign aspect, with both sitting in Air, Neptune in the 3rd in Libra, introducing the potential for creative, inspired, or completely delusional thinking, and the contact to Venus linking it to relationships again, once through Libra and once through Venus in the 7th. This unites the 3rd, 8th, and 10th Houses, suggesting that thinking and communication are heavily influenced by others and your interactions with them, especially what you share, and that this is part of the reputation, career, or expressed through interaction with authorities or publicly. Do you write? Are you an Artist? If not vocationally, you certainly are in your essence.
There is also the potential for you to associate yourself as a woman with carrying unique skills, with being fundamentally injured, and/ or with innately being a healer. I suspect with you it’s this latter, but any of those are possible, and may make up various facets of the identity specifically associated with womanhood as you see and express it, as well as likely pinpointing a specific feeling of vulnerability within your identity.
Ruler of Aquarius, Uranus, is sandwiched into another conjunction, this one uniting Moon, Jupiter, and Uranus within just over seven degrees of one another, in Cancer in the 12th. So, we have the Moon in its own sign (very strong!) connecting to the Venus-Chiron duo by opposition, bringing the emotions into, and perhaps having them drive, all that we’ve been discussing. In the 12th, the Moon may not make itself known directly, instead having a strong impetus to push out through those natal energies contacted, so that you may be less aware than you know of the influence of the emotions on other life areas (and this may be doubly so with Aquarius putting the stamp of intellectual understanding on so much, possibly unaware of how the feeling nature has a hand in things!) The feeling could be, ‘I’m very sensitive, but not emotional–I’m the most rational person I know!’
There’s a lot to unpack here, but we’ll look at only one thing, the Houses brought together through rulership by these bodies: 5th, 7th, and 12th. That suggests that creative acts (5th) are fueled by feedback from or cooperation with others (7th–as well as giving that creative urge and artistic bent–also 7th), and that this can be a channel for, or overwhelmingly influenced by, a connection to the Cosmic and/ or the unconscious (12th). With the conjunction located in the 12th, this is a powerful recipe to bring spirit as a living, breathing, creative thing into the everyday life–and goodness knows, the world definitely needs more of this right now–
‘The Arrival of Spring; Two Roads’ By Maria Yakunchikova 1896 {{PD}}
Even though the New Moon of the 11th, 7:30 PM PDT at 22 Aries 24 is still conjoined Venus, that’s actually a separating aspect; whatever the Superior conjunction of the Sun and Venus was meant to convey around relationships or assets, it’s already come to us, though our emotional reaction to it is still in the future, delivered about 8 hours after this Lunar event (and maybe spurred by what happens at the NM). The same can be said about issues around personal power and authority, boundaries, a sense of autonomy, and even health matters, as the Sun and Moon have each both recently conjoined and are now moving away from Ceres. This suggests we’ve hashed out quite a bit recently, and likely believe we know where we stand–so why does it feel like we’ve made no progress, like we remain rudderless and confused, like we’re yearning for something and reaching come up with a handful of water, lost before we can get a sip?
A New Moon in Aries should spark confidence, a feeling that we can do ‘it’, the courage to take the next step, a sureness about taking the lead in our own lives, and when this NM perfects we may want to make a clear ‘I Am’ statement, not for those around us, but for ourselves, to try and ground us in something firm. We have the fire (Aries) to do (Cardinal sign) something to propel us forward–and this NM in particular we’re buoyed by imagination and a wave of creative energy (semi-sextile to Neptune), and we have big ideas (sextile to Jupiter) for change (square to Pluto) with empowerment as the goal (trine to Juno)–but there’s something about our desires or ambitions (opposition to Zeus) that makes us reluctant, or that maybe even outright prevents, that change we’re dreaming of–the potential for action could dissipate into nothing but talk (sextile to Mars in Gemini).
There’s a (brilliant) way out, and there’s also an issue to be dealt with, before the feeling and action impasse can be broken. One is the novile to Pallas in Pisces. This speaks of the wisdom of the imagination and the creative outlet, of the practical benefits of using our skills to do–and so serve both the Arian New Moon impulse and and the need to circumvent issues that have brought us up short, confused us, or distracted us from what we want and need to sort out. The Sabian symbol for the New Moon says it all: ‘A Pregnant Woman In Light Summer Dress’. The image is one of creative potential. Giving our creativity free rein right now is the smart thing to do; we may ‘birth’ our answer, or we may in the process of expressing make other contacts, or take other turns in the road, that will get us past what’s been holding us at bay. The ‘Summer Dress’ of the image implies the creative urge itself is at its peak of productive potential, just as a garden is at that point in the seasonal cycle. We don’t know how far along that ‘pregnancy’ is; we only know that the creation itself definitely exists, and will, sooner or later, be brought forth.
The thing to be dealt with is described by the New Moon’s sesquiquadrate to Vesta in Virgo. A sesquiquadrate is an aspect that promises difficulty, suggesting both trouble within the psyche (problems with accepting and processing what we’re confronted with, for example) and external factors that contribute pressures or force awareness and/ or force us to stop forward progress, at least in terms of the goal we thought we were working toward. There’s usually a measure of upset or outrage, a ‘This is ruining all my plans!’ plaintive cry as we see we’re given no choice but to halt and re-group.
With this being the New Moon’s contact to Vesta, what we’re likely to be faced with is some form of criticism or critique, internal or from others, that assesses our commitments, our values, or what we’re dedicated to as less-than-sacred. This might come in the form of our own internal monologue that recognizes we don’t care as we think we did, or in internal recognition or external feedback that points to some facet of hypocrisy in what we claim to hold in highest regard. Maybe our actions haven’t been supporting our highest standards, or our choices point to an entire other set of values by which we’re in reality living. No matter what, the Aries New Moon offers us a chance to re-dedicate ourselves to choices and actions that reflect our true values; it gives us a chance to align our walk with our talk, and prove what and who we genuinely care about.
A New Moon in Aries is about choice; the issue for this New Moon may be that we’ve convinced ourselves either we don’t have any, or that our options aren’t ideal. Events at this time are meant to show us that the true circumstances are otherwise–we just need to be brave enough to see that the ideal is possible, and that indeed, we always have options.
Julie Demboski's ASTROLOGY 
You must be logged in to post a comment.