Édith Piaf regrets nothing–so live so that you don’t have regrets, too. By Remirus – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=48598628
The 2nd Is A Good Day To . . . review the past for all those times we didn’t listen to our instincts, and try to apply what you learned then to a current situation where you’re being presented with a false choice: it seems that if you do the right thing, you’ll lose a particular power position. This is false, an ‘argument’ advanced by the ego to try to keep you from doing the wise or practical thing, rather than the ego-indulgent one. It may seem dangerous to see yourself as the authority in this situation, but it’s not taking the reins that brings things crashing down. Trust yourself and your integrity–if you make choices that allow you to look yourself in the mirror without flinching, then you’ll regret nothing, and you’ll have done the right thing.
A Good Day To . . . is based on the aspects perfecting on each day, Pacific time.
Julie Demboski's ASTROLOGY 
« Non! Rien de rien …
Non! Je ne regrette rien…
Ni le bien qu’on m’a fait
Ni le mal tout ça m’est bien égal! »
Piaf’s NN in Aquarius conjunct Uranus may account for her constant desire to look towards the future and never towards the past (she even married a young singer whose Sun was conjunct that NN one year before her death, starting a new life even though she was very ill). NN/ Uranus are apex of a finger of God quincunx the Virgo MC, with ruler Mercury opposed Pluto in Cancer, and quincunx Saturn also in Cancer – her mother abandoned her at birth .
So yes, Julie, we’ll remember to live so that we don’t have regrets, too !
Piaf was a very interesting woman. I don’t see it quite the way you do; I see that Uranus-NN in Aquarius in the Whole Sign 4th as more indicative of unease and restlessness, the eternal hunt for ‘home’, always trying something new in an attempt to feel secure, with the Finger only taking in Uranus, not NN, and perhaps suggesting even further the search for security (Saturn), this time through the career (MC)–maybe every time she found what she thought would offer security (Saturn), she realized it didn’t feel secure, didn’t give her a feeling of home (4th), of finally belonging, and so drove the erraticism (Uranus) and constant forward motion/ change. The abandonment might be shown by Chiron (whose mother abandoned him) in Pisces (abandoned by the Universe!) and its sesquiquadrate to Neptune in Leo in 10th, signalling the wound funneled into the career, into her Art, a continual attempt to pinpoint the identity (Leo) via the public role. It’s a fascinating chart–thanks for bringing it up!
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Thanks for this analysis, Julie, and happy Full Moon!
You’re welcome, Katia, and Happy Full Moon to you!
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