Who better as an example of Juno’s influence in relationship than in the now-kaput affair between the ersatz royalty of the Folkie-Protest movement, balladeers Bob Dylan and Joan Baez? Their birthdays are only a handful of months apart, so to delineate meaning we must look at what’s different, rather than what’s the same, but we must also note that a mirror effect occurs; sometimes a Juno aspect in the chart is echoed cross-chart, because the Junos are conjunct, and this suggests that these partners acted to externalize for each other some of the Juno dynamic that was also an internal dynamic for each. 

In Dylan’s chart (24 May 1941  9:05 PM Duluth MN USA) his Juno (28 Leo 49) fills in a T-square to his Gemini Sun/ Sagittarius Earth axis (he may feel that empowered women, as well as his own anima, clash with his Soul and Material Direction); Juno also squares Pallas (which is conjunct Earth, and so involved in the T-square) and this suggests that for him the concept of wisdom is at odds with the idea of partnership, as if he cannot accept that a partner can be wise! Juno squares the Jupiter/ Uranus conjunction (again, a threat, this time to the freedom and individuality); and Juno quincunxes the South Node (in this case, a ‘never goin’ there with a woman again!’ position). All these perceptions are really cemented in place, as Juno is conjunct Vesta, signifying that his internal ideas about partnership/ the mate are sacred, and will always trump reality. If you know Dylan and his work, you know his persona is notoriously hard to pin down, a ramblin’ man in more ways than one, and his Juno in Leo suggests he wants a woman/ partner who ‘shines’ with strength and purpose (the Sun)–a tough thing for a woman to fulfill, when his Juno aspects insist that she will, in the end, be fallible and unreliable. Dylan plants the seeds of the end of the relationship before it even begins, in an inability to trust, or accept the wisdom of, a partner.
Dylan’s beliefs about women as shown in his natal chart are perfectly reflected here in his song, ‘Don’t think twice, it’s alright’ 

It ain’t no use to sit and wonder why, babe
It don’t matter, anyhow
An’ it ain’t no use to sit and wonder why, babe
If you don’t know by now
When your rooster crows at the break of dawn
Look out your window and I’ll be gone
You’re the reason I’m trav’lin’ on
Don’t think twice, it’s all right
It ain’t no use in turnin’ on your light, babe
That light I never knowed
An’ it ain’t no use in turnin’ on your light, babe
I’m on the dark side of the road
Still I wish there was somethin’ you would do or say
To try and make me change my mind and stay
We never did too much talkin’ anyway
So don’t think twice, it’s all right
It ain’t no use in callin’ out my name, gal
Like you never did before
It ain’t no use in callin’ out my name, gal
I can’t hear you any more
I’m a-thinkin’ and a-wond’rin’ all the way down the road
I once loved a woman, a child I’m told
I give her my heart but she wanted my soul
But don’t think twice, it’s all right
I’m walkin’ down that long, lonesome road, babe
Where I’m bound, I can’t tell
But goodbye’s too good a word, gal
So I’ll just say fare thee well
I ain’t sayin’ you treated me unkind
You could have done better but I don’t mind
You just kinda wasted my precious time
But don’t think twice, it’s all right

While for Dylan the Juno interactions are in essence challenges to his idea of himself as a man, Joan (9 January 1941  10:45 AM Staten Island NY USA) Baez’s Juno (7 Virgo 16) presents a quandry concerning her internal workings: empowerment threatens the emotions and the intuitive and feeling nature, and vice versa.  Baez’s Juno also creates a T-square, this time with her Mars/ Moon opposition (the feeling nature at odds with the action/ ego/ animus, and both threatened by her own empowerment); Juno also happens to be square Ceres, which is conjunct Mars, and this speaks volumes on the conflict between the natural creative energies of Ceres, their ‘alliance’ with the ego and action urges (as well as with her idea of the ‘ideal man’) and the need for empowerment–and it spells out the idea that Joan may see the man in her life as the elementally creative one, and that this doesn’t support her own empowerment situation. Juno also trines the Jupiter/ Saturn conjunction (empowerment assists reaching out, feeling free, and building something meaningful); and Juno trines the Midheaven (empowerment aids the career) and quincunxes the South Node (in this case, suggesting that past experiences have not given her the impression that empowerment is a positive thing). If you know Baez, then you know she built her career on the image of being a strong and capable woman, and her Juno in Virgo is the epitome of just those qualities–we have to wonder, though, what toll it took on the feeling nature, and on relationships with men, considering the chart indicators. And there’s something else here, and that is that Baez’s Juno, though embroiled in an internal struggle, measures its effectiveness as does any woman’s Juno, in its interactions with the external world and relationships; it’s an outward-looking energy, and her work based on the relationship with Dylan reflects this.
The state of Joan’s Juno and its attention to the partner is well-illustrated here, in ‘Diamonds and Rust’ (notice the references to the Madonna, the Moon, and the girl on the half-shell, obviously Venus, all of which are traditional female symbols and all of which in this instance seem to support the mo-jo of the male caller from the past).

Well I’ll be damned
Here comes your ghost again
But that’s not unusual
It’s just that the moon is full
And you happened to call
And here I sit
Hand on the telephone
Hearing a voice I’d known
A couple of light years ago
Heading straight for a fall
As I remember your eyes
Were bluer than robin’s eggs
My poetry was lousy you said
Where are you calling from?
A booth in the midwest
Ten years ago
I bought you some cufflinks
You brought me something
We both know what memories can bring
They bring diamonds and rust
Well you burst on the scene
Already a legend
The unwashed phenomenon
The original vagabond
You strayed into my arms
And there you stayed
Temporarily lost at sea
The Madonna was yours for free
Yes the girl on the half-shell
Would keep you unharmed
Now I see you standing
With brown leaves falling around
And snow in your hair
Now you’re smiling out the window
Of that crummy hotel
Over Washington Square
Our breath comes out white clouds
Mingles and hangs in the air
Speaking strictly for me
We both could have died then and there
Now you’re telling me
You’re not nostalgic
Then give me another word for it
You who are so good with words
And at keeping things vague
Because I need some of that vagueness now
It’s all come back too clearly
Yes I loved you dearly
And if you’re offering me diamonds and rust
I’ve already paid

Cross-chart there are many echoes that actively externalize the internal. The differences, though, tell the story: Joan’s Juno opposes Bob’s Pisces Mars, telling us her state of empowerment is directly at odds with who he is as a man; and his Juno trines her Venus, suggesting that who she is as a woman is in keeping with his idea of an appropriate mate/ partner. However, when you’ve got both Junos square her Moon/ Mars opposition, you’ve got not only her internal discord but his interaction creating a similar dynamic, adding the idea that anything he views as empowered behavior will be at odds with her emotional and assertive/ ego nature, as well as being in disagreement with her vision of the ‘ideal man.’ As well, with her Juno opposed his Mars, every time she exerts her own empowerment he would likely feel wounded as a man, especially so with Mars in Pisces, as this Mars would likely see itself as all lovey-dovey and peace, man, and her Juno would be at the very least demanding accountability, and perhaps bringing criticism into the mix.
The two most telling contacts are probably his Juno square her Moon–what woman can pair with a man whose anima would continually be challenging her emotional viewpoint?–and Dylan’s own Juno, as well as Joan’s, square his Jupiter/ Uranus conjunction; with this aspect he might as well wear a sign that says, ‘Women will take your freedom and tie you down!’ So, despite his Sun conjunct her Moon, a classic mating indicator, along with his Venus (his idea of the ‘ideal woman’) in Gemini in wide conjunction with her Moon, Juno tells us that there are too many upsets inherent in her empowerment, both internal and external ones, and too many beliefs on his part that a strong woman will somehow restrict him, to let these two remain in intimate relationship for long.
This is actually an extended version of the 5th and final part of the Juno series that would have appeared at sasstrology. See my book on Juno at http://dogandsunflower.wordpress.com excerpts from it here https://juliedemboski.wordpress.com/2010/09/21/excerpts-from-juno-in-the-natal-chart/   and follow my blog on relationships here http://askjulie.wordpress.com  My other books (on Chiron and on relationships) are also available at http://dogandsunflower.wordpress.com