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astrology, Ceres, eclipse, Finger of God, Full Moon, Lunar Eclipse, Moon in Leo, My Daily Astrology Diary, Sabian Symbols, The Lunar Essence
‘Moon Over Dresden’ By Johan Christian Claussen Dahl 1826 {{PD}}
The Lunar eclipse of 31 January 2018 occurs at 5:27 AM Pacific time at 11 Leo 37, just two minutes past exact conjunction to asteroid Ceres, and acting as apex to a loose Finger of God with base of Black Moon Lilith (which is a point, of course, not a body) and Neptune; the Full Moon is also sesquiquadrate Chiron, but everything else is outside the orb for a Lunar event, even when that event is an eclipse.
Falling in Leo, the Full Moon suggests a completion, ending, or the consummation of something related either to the House matters in the individual chart where the eclipse occurs, or to the identity, the lion’s roar that makes a statement about who we are, and particularly about where our heart lies (Leo rules the heart). We are, then, at the time of a Full Moon, full of feeling, and this time that’s about ourselves, and how we fit into the emotional landscape.
An eclipse is an extreme; this one is apex to a Finger, which points to a blending of the creative, imaginative, spiritual, or delusional with those matters too long ignored, denied, or that have enraged us, with the result being the Lunar event, the Lunar extremity, the culmination or revelation with who we are at the center of it all. Facing what we’ve avoided in a creative way, or with a spiritual viewpoint, shows us who we are, especially emotionally; we could say that this Lunar eclipse reveals the state of our emotional intelligence, setting the stage for our responses through the coming six months, to the next Lunar eclipse.
The Lunar event happens conjoined Ceres, suggesting that the event itself is an experience of our own strength, the extents of our authority, or involves the overseeing of others or the negotiation of a particular situation. Ceres also implies the potential for the eclipse to bring a health related event, such as an allergic reaction; we see Ceres prominence right now with the virulence of the flu in the US. Ceres always speaks of power and Nature, and the relationship for the individual between the two; in this instance, the Lunar event carries this message within the Leonine expression that arises from Black Moon Lilith (the ignored, avoided, denied, or enraging) and Neptune (inspiration, the spiritual, the creative, the confusing, the deceptive).
Nature might make a statement at the Lunar eclipse, something concerning those things we’ve ignored or denied (climate change, anyone?) and what we’ve created of a Neptunian nature (to include pathogens fostered in a lab or inadvertently in an ever-warming environment). This may signal the rise of the seas, even though it will play out over time—or it may say that we might finally connect emotionally (the Moon) with Mother Earth in a meaningful way, one that moves us to save Her, emotional intelligence of another kind altogether.
Add to this a difficult aspect to Chiron, symbol of our primal wound, and of those gifts we possess that can offer healing to others (and since 2012, to ourselves, as well). The tension of the Finger, shown by the quincunxes, is channeled into the Lunar response, which itself is in conflict with something of a Chirotic nature: our wounds, someone else’s wound, or the deep need to share a healing skill, which may not be acceptable to others (this latter reflects that dynamic where someone has an issue, says they desire healing, but will not let go of their wound—often it’s too much a part of the identity, and in this case, the feeling nature may gain its sense of shape, depth, and even personal relevance—Leo–from this wound). Or, the exercise of creatively dealing with what we’ve avoided may unavoidably cause wounding or pain, to ourselves or others. In some way the wound impacts the Lunar expression, which is one of power or its lack, or of the relationship to Nature. It’s nothing short of what weaves us into the world, the Cosmos, ourselves as much a part of Nature as what we observe outside us.
Oda Krohg – ‘A Japanese Lantern’ 1885 {{PD}}
The Sabian Symbol for the Lunar eclipse is, ‘An Evening Party Of Adults On A Lawn Illumined By Fancy Lanterns’. This is a symbol of a kind of luxury, the freshness of a summer lawn, lanterns in the darkness, the company of other mature individuals, the sense of earned respite and relaxation. The scene carries a quality that may transport an adult back to childhood, or foster romantic sensibilities; in any case, the implication is that life is going well enough that the struggle can be set aside, at least temporarily, that Nature can be appreciated in a state (darkness) that we usually avoid—so in that way, suggests harmony with the environment, and a sense of security that allows us to move outside normal parameters. In the context of the Lunar eclipse, this might imply that whatever comes forward here makes a kind of statement about the individual (Leo) and their place within the natural order (Ceres), and that this is dictated by that interplay of Black Moon Lilith and Neptune, potentially drawing the Lunar result from the individual temperament (BML) and the spiritual orientation (Neptune).
With a Full Moon we also look at the Sun’s Sabian: ‘On A Vast Staircase Stand People Of Different Types, Graduated Upward’. As the body that generates the light that creates the Lunar phases in the first place, the Sun symbol offers hints as to the origins of the Lunar event. Here we see a kind of representation of humanity, with the implication that we are evolving ever upward (no matter how it looks down here on earth!) The staircase, of course, invokes the hackneyed metaphor of life as a climb, each step a movement upward, to a more advanced position—but that isn’t how life works—every step doesn’t take us up, it may not even take us forward—so this symbol may at bottom question suggest we set aside our assumption that we are ever evolving upward. We are ever evolving, true, but the path isn’t a straight one, so we should dump the metaphor in favor of just accepting the ride, rather than trying to measure how high we stand on the staircase.
And what about all that hyperventilating about the rarity of this Full Moon?
As Mercury conjoins Pluto in Capricorn and Pluto parallels Pallas and semi-squares Vesta we find ourselves excavating the framework of our thoughts, the rules we have accepted as necessary or even as reality itself, and the barriers and restraints that keep out what we find destructive, unpleasant, threatening, or just bizarre, as we judge exposure to these as unwise or impractical; they turn attention from those areas to which we’d like to dedicate ourselves and our life energy, and so must be purged. We may spin ourselves a tangled web, if we try to handle such deep and extensive housecleaning in a single day; better to let things fall away naturally, without too much direct effort. Our energy is best expended on being clear about our values and priorities (Sun sextile Vesta) and in pursuing those goals involving what we are sure we value or care about (Mars parallel Venus, Sun parallel Mars), as thoughts centered on pure ambitions unattached to what we value are sure to be too strongly fixed on the conflicts achieving our ends would entail, and so be less than useful, too prone to take a destructive turn (Mercury square Zeus and conjoined Pluto). In truth, we are readying ourselves, creating mental and intention clarity that will drive everything tomorrow, the 25th (Mars novile Zeus, Mercury sextile Jupiter).
Julie Demboski's ASTROLOGY 
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