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Tag Archives: real life astrology

Aspect Expectations, What You’re Asking, and Chiron Bites Back

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Posted by in Aspect Delineation, aspects and placements, astrology, Astrology of Careers Vocations and Callings, Chiron, T-Square, What You're Asking

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‘Pythagoreans Celebrate Sunrise’ Presumably, they’ve already done the math. By Fyodor Bronnikov {{PD}}

We have a print in our house by the artist Julie Dillon. It’s called ‘Sleeping Giant’, and depicts an enormous ‘robot’, long ‘dead’, being worshiped as if it were a god, robed supplicants in attendance, votives and offerings placed before it. I love the way the picture tells a story, all at once: stripped of its original beingness, its purpose and point, the human mind sees this incomprehensible entity and fills in a scenario of what it must’ve been. The reverence is supplied by the observer; the thing itself is just what it is, and holds no sense of the sacred beyond what it’s given.

When we stop knowing what something is, we inevitably forget what it’s for; that seems obvious, but really isn’t. It’s easy to overlay our ability to perceive with expectations, judgments, assumptions, and beliefs, to the point where we not only don’t see what’s before us, we forget the original intent or purpose behind both the thing we’re observing and our decision to observe.

In astrology we transgress in this way when we see an aspect and think we know its meaning, devoid of context or other contacts; it’s why I’m so loathe to talk about aspects outside the landscape of a chart. Without House placement, rulerships, and other bodies or points aspected as part of the picture, what we see may be highly skewed, our own judgments and suppositions superimposed on the aspect; in reality, that aspect is a framework that gains full and nuanced meaning only when seen as part of a whole.

A brief example: if I say to you, assuming this is found in a natal chart, “Moon conjoined North Node in Aquarius”, and the conjunction is close, with only a seven minute differential, what characteristics spring to mind? Someone forward-thinking, intuitively inventive or innovative, a ‘free feeler’ with an emotional nature that embraces the intellect, and intellectual methods–and so may be a tad disconnected from the feeling nature–but we can’t be sure how this presents itself with so little info. To draw many conclusions about someone from this alone could be highly misleading–so what if we add more info?

“Ascendant conjoined Pallas in Taurus, only seven minutes past perfection, with this combo square that Moon-NN in Aquarius”. Now what might you think? Pallas rising suggests the individual meets the world in a practical or smart way, and that that’s what others see, someone wise beyond their years, especially when it comes to material matters, worldly things, survival and comfort. The square introduces the idea of conflict, and describes a smart personality at odds with an intellectual approach to feeling–which definitely doesn’t mesh with the Taurean predisposition to soothe through the senses. So, we have someone who presents much differently than they feel.

Now we add this to the picture: “Fixed T-square, NN-Moon as the arm (placing this combo at the top of the chart, in the individual’s 10th) to an opposition of ASC-Pallas to Jupiter and a stationary Mercury in Scorpio, roughly four degrees apart”. A T-square alerts us to the fact that all those seeming positives (wise presentation, progressive attitudes, keeping an eye on the future, strong connection among emotions, intuition, and intellect) might be part of a tense dynamic, one that could bring out their less positive sides. Jupiter-Merc in Scorpio suggests a deep, intense, almost cutting mental emphasis on knowledge, but whether that’s based in belief or actual facts we can’t determine outright, and exaggeration may be both a communication style and a way of thinking/ perceiving. But we do know that Mercury is stationary in a Fixed Water sign, which implies, just like the Moon in Aquarius, a mixing of feeling and thought, and possibly the emotions and mentality stubbornly ‘stuck’ at a particular phase, outlook, or level of development, and we get a glimpse of this through that ASC-Pallas picture: this individual is keyed to comfort and survival in whatever way the childhood environment dictated as practical or smart.

So what do we think now? Since our first aspect description, we may have decided this individual is much more emotional than we first suspected, and that they may be prone to use the mentality to justify what they feel–and that may be accompanied by the danger of presenting as very wise to others, which can be persuasive to those who may accept hyperbole as facts (as may the individual). We might think that spiritual or religious beliefs could permeate the mental faculties (and that beliefs, feelings, what’s smart, and the mental faculties could be in constant conflict or under tension), and that part of what this individual may do is bring these beliefs to others through the effectiveness of the personality. There’s also that cutting edge to Merc, Jupiter, Sun, and Venus all in Scorpio, that urge to destroy as much as to re-make, and the tension presented by the personal emotional make-up, that could clash and cry out for expression.

Two more factoids: Sun and Venus are closely conjoined in Scorpio (but not conj Jup-Merc), and Mars and Neptune are only 35 minutes apart in Virgo. How do these bolster either positive or negative impressions for you? What profession would you imagine this individual would choose–and what do you think life might choose, for them? Check back in a day or three, when I’ll present the chart these aspects come from, and you can decide how much or how little you really can glean from the one-aspect-at-a-time game.

Just to let you know: there’s a Russian language (scratch that, I think it’s actually Ukrainian) page offering Eclipse subscriptions–when Eclipse is no longer being published! So don’t give them your money, okay?

People are wondering . . .

. . . why so many astrologers got the US election ‘wrong’:

I think this is due to faulty assumptions underlying their interpretations. It seems to me they saw more positive/ ‘easier’ aspects in Hillary Clinton’s chart, and more challenging ones in Trump’s, and so assumed that meant a Hillary win; the problem with that is the belief that positive aspects imply winning a contest–but what they really imply is that what occurs is positive for the individual, from the individual’s point of view.

Centaur of Lefkandi, 1050 – 900 BCE, identified as Chiron, found in two pieces in two different tombs at the site of Toumba. It’s the first 3-D sculpture of a centaur ever. Archaeological Museum of Eretria. Photo By Jebulon CC0

. . . about an unaspected Chiron

Like any chart energy, an unaspected Chiron will generally function in one of two ways: either the wounded nature takes over the chart (and so the individual) becoming the most prominent thing within the psyche, or it floats around, disconnected from the individual psyche, so that when that wound is ‘touched’ the person reacts and doesn’t know they’re reacting. In both cases, the Chirotic nature has not been integrated with the other energies, impulses, and traits, and so either consumes the processing and perceptive functions or is completely denied by them–that is, the individual claims to carry no wound at all, or to have processed and dealt with wounds so completely that no psychic injuries remain–and that’s just not possible, for a human. It’s like an unaspected energy takes a bite out of our ability to comprehend the world and our place in it–Chiron (along with Mars and Pluto, and possibly others) is the kind that, as we try to reclaim it by consciously incorporating its energy and intents, just may bite us back, discouraging our efforts and making acceptance and absorption that much more difficult.

Check back in a bit for a new post that will give the answers to our aspect-reading example, along with more ‘What You’re Asking’, and have a lovely weekend!

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Orpheus, Or A Voyage to the Underworld

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Posted by in Asteroids, astrology, Dreams, Spiritual Considerations

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Jean-Baptiste-Camille Corot – ‘Orpheus Leading Eurydice from the Underworld’ 1860 {{PD}}

Like everyone else, it seems, I’ve been having some highly unusual dreams of late, so I decided to run down some of the associated asteroids and other bodies, just to see what this might spell out by contacts to my own natal chart. I’ll offer my interpretations, and invite you to see where these might fit in your own chart–I’ll keep details of my nighttime adventures to a minimum; as author John Green (and a lot of other people) have said, “Nothing is as boring as other people’s dreams.”

First we look at asteroid Orpheus, named for the poet, musician, and prophet (that last not until after death, when his still-singing head was thrown into the sea, landing at Lesbos where an Orphic oracle was established). He was known to enthrall and charm (in an almost magical sense) others with his creations and performances; even the animals, trees, and rocks were said to have moved when Orpheus played. He learned his Arts from Calliope, the patron of epic poetry and likely his mother, while his father is said to have been either the King of Thrace or the god Apollo.

Orpheus voyaged with the Argonauts and saved them by blasting his boom box (or however they did it in those days!), drowning out the Sirens’ seductive call. Upon their return, Orpheus married Eurydice; the honeymoon had scarcely begun when she was bitten by a snake and died. Naturally, her husband mourned her with song. He charmed all who heard him, including Charon, the boatman who transports Souls across the river Styx, as well as Hell’s guard dog, Cerberus. His grief was so affecting that Hades chose to grant the disconsolate musician an exception: you can lead your bride out of the Underworld, Orpheus, on one condition, that you will not look back at her until you’re both completely above ground–and Orpheus readily agreed.

We all know what happened: Orpheus had almost reached the surface, and had managed not to look behind him, when he suddenly turned; some versions claim he heard a noise, some that he saw the Sun and wanted to share the moment with his wife, but in any case, she vanished, his mission ending in failure. So what does this have to do with a dream of mine? I was told that I was an Orpheus-like individual in a dream world that was supposed to be the 1920s. There were a number of people in a large, gold-walled room, and I was to round them up and lead them out–and that’s all I remember.

On the day of the dream, the asteroid Orpheus (3361) was at 19 Capricorn 53–within orb to both Pluto 21 Capricorn 11 (another version of Hades, which asteroid was at 5 Cancer 53) and Charon, the boatman, which is a moon of Pluto and travels with it, and asteroid Cerberus at 27 Aquarius 9, with Eurydice (also spelled Eurydike) at 9 Libra 28. The agent of dreams, Neptune, was at 15 Pisces 01.

Orpheus, Pluto, and Charon are all passing through my 12th, sextile my Moon and opposed my Ceres=this suggests an Underworld journey, in the spiritual or emotional sense, one that is meant to re-make the individual, or to be seen as part of a larger, life-death-life cycle–a winter experience, one of loss as part of a larger pattern, or of death or what’s beyond this life, perhaps? Hades is square my Mars=again, the trip to the Underworld, the result of my actions, or because of them?! Hades is the one who offered Orpheus the deal, that O couldn’t see through out of impatience, folly, impulsivity? The dog that guards the Underworld, Cerberus, is square my Venus and sextile my Sedna–maybe being ‘guarded’ keeps out love, or money, but allows the instincts and deep knowing to function without distraction–necessary for such a journey. Eurydice, a stand-in for what’s rescued from the darkness, sits conjoined my Mars=is passage through the Underworld a kind of retreat, necessary to save the Self, or perhaps to save the ability to act autonomously? Maybe. And finally there’s Neptune, in wide quincunx to my Sun=dreams that may disturb, just a bit, in order to reveal something of the Soul. And I’ll throw in one more, Hekate, the way-shower, which is at 23 Cancer, conjoined my Ceres=Mother Nature as guide–I hope she’ll show me more.

A Question of History: Was England’s Richard III a Victim of Ceres?

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Posted by in Aspect Delineation, Asteroids, astrology, Astrology and Health, Astrology and History, Ceres, Finger of God, Transit Effects Explored

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This is another ECLIPSE re-print, this one with updating and a significant amount of historical and astrological information added.

Periodically I like to inspect historical personages and events taking an astrological perspective, so when I ran across an article (no longer available, but see a similar one here) on England’s Richard III and a potential allergy, I had to check it out. Considering the way Ceres has shown herself to be a prominent factor in instances of allergy, sensitivity, and in autoimmune diseases of all kinds, I wanted to see if Richard’s famous change of demeanor after excusing himself for a strawberry feast  during a council meeting of 13 June 1483 was possibly related to just such a reaction. If so, it may have had history-altering consequences, as Richard’s fear that he may have been poisoned or the victim of witchcraft (there is even a suggestion that ingesting a massive number of strawberries may have caused the withering effect to one arm that we heretofore had believed through eyewitness description was a birth defect) led him to lash out against those who might take the crown—including his nephews, better known as ‘The Princes in the Tower’, Edward V of England, for whom Richard was acting as Protector, and his younger brother, Richard of Shrewsbury, Duke of York. (At the time the Tower of London was not yet used exclusively as a prison; the boys were lodged there, under guard and for their protection, so the story goes). After the strawberry incident, Richard announced he was taking the crown for himself and the boys ‘disappeared’; his suspicion of even his closest allies planted the seeds for his difficult reign and the horrible reputation that follows him to this day.

Richard III is believed to have been born 2 October 1452 Julian Calendar 9:02 AM LMT (time is certain) Northhamptonshire England. Times of 9 AM and 7 AM have also been put forward, but the time of 9:02 was deduced by astrologer Martin Harvey in the British Astrological Journal Spring 1967, “Time deduced from a 1452 account in Latin, October 2, 1452 OS, 9:15 AM LAT ” as per Astrodatabank.

Could these have been the culprit? ‘Wild Strawberries on a Ledge’ 1703 By Adriaen Coorte {{PD}}

Right away we notice the Scorpio Ascendant sextile Juno (which body I’ve conjectured before may in a man signal a sense of Self-completion, as in not feeling the need for complementary energies, which means the psyche has no room for another–he’s a partner to himself—it’s a placement, then, of total Self-empowerment that claims the right to do as he pleases—because no one, and so no other viewpoint, figures in). The apex to the Finger created is the Earth-retro Mars conjunction in Aries—certainly easy to associate this vanity/ ego uncertainty/ identity as a man as it manifested through the personality resulting in the death Richard suffered, as a Warrior at the Battle of Bosworth Field, with blows to the head (Aries) so hard that his crown was driven into his skull (and we know this as his remains, verified by mitochondrial testing of two of his sister’s descendants compared to the DNA found, identified the skeleton discovered under a UK parking lot in 2012 as definitively his). This also, of course, catches the Sun at the sextile midpoint, implying the Soul itself might have felt ‘caught’ by the dynamics of the Finger.

The Ascendant is also square Black Moon Lilith and Sedna, and with a sextile to Mars-Earth BML-Sedna forms the base to another Finger of God with apex Juno. The Will, the ego, and the way they are so closely related to the material environment gets played out through the empowerment situation and the sense of personal completeness–and yet much of what drives the ego and material situation is hidden, ignored, denied, or enraging and then buried, in the instincts or in the ‘blind spot’–a terrible connection for a leader to have.

But was he susceptible to Mother Nature? Wow, was he ever! Ceres sits at 29 Libra 11, under stress and hidden just at the end of the 12th and a hair above the start of the 1st House (Whole Sign); it’s the T-arm of a wide Vesta-Uranus opposition, suggesting that stress from Nature shows up in erratic and sudden behaviors that are contrary to the highest values, and yet those rebellious or erratic choices may be justified in Richard’s own mind as sacred (the Vesta effect–see my book for much greater detail). Ceres is the body of latest degree; it implies that all matters end in some sort of ‘reaction’, in relation to his sense of authority, his boundaries, his negotiating power, or his interaction with Nature.

Ceres is quincunx the natal Taurus Moon in the 7th; the Moon is another indicator of sensitivity, in Taurus implying a sensitivity to the environment and particularly to food and atmosphere (and of course the meeting where the impressive change to his demeanor occurred was in mid-June, a high point for strawberries and every other blooming thing!) Placement of the Moon in the 7th suggests that Richard may have had a very reactive personality, emotionally and intuitively hypersensitive to others, and this is reiterated by the Moon’s opposition to Venus–relationships–in the 1st.

The Moon is part of yet another Finger, this one with base of Moon-Uranus, apex the North Node, and one apex Moon, base of Ceres-North Node, which latter also catches Venus in Scorpio in the 1st at its midpoint, with this little detail opening a whole other avenue for health affects–kidneys, blood sugar, venereal diseases–that could’ve weakened the constitution quietly, without anyone necessarily being aware of it.

Richard’s Ceres is also conjunct a 00 Scorpio Mercury (lungs, nerves, highly sensitive to what’s communicated, and at 00 he’s just learning to deal with this in a Scorpionic fashion–that is, one that may retaliate lethally). The asteroid also trines Jupiter, ruler of the 2nd (the Ceres nature affects his relationship with the social sphere, his knowledge—indicating potential for the mind and reasoning to be affected by any reaction—and his grasp of the ‘Big Picture’, and suggesting the potential for exaggerated effects from Ceres instruments), and is widely conjunct Saturn, again emphasizing the impact of Ceres and health on the reality picture, and in stoking fear, another Saturnian element.

As previously noted, we see his Mars in Aries conjoined Earth, both in the 6th of health, yet again showing the importance of the environment and his own choices and actions on the health picture. This is not to mention the Grand Trine of Ceres, Jupiter, and the South Node, which does suggest that knowledge from the past, lessons learned, would guide ‘reaching out’ efforts and attempts to widen his authority and influence—and this is something that probably initially went very right for him, getting him to the position he enjoyed in June of 1483.

A look at the transits on the day of Richard’s strawberry feast include the Sun fresh in sensitive Cancer trine his Ceres-Mercury, and Saturn at 00 Scorpio conjoined his Mercury, highlighting nervous sensitivity to the material world; transiting Zeus is exact conjunct his Pluto (destructive desires!), transiting Ceres trines his Saturn (again, the influence of Nature made manifest), and there were not one but three transiting bodies at 29 degrees during the day, if we include the Virgo Moon (so perfect for an allergic reaction, conjoined transiting Jupiter, opening up potential for both massive consumption of the allergen, and a massive reaction to it), as well as Pallas in Cancer (implying that what was sought as nurturing or soothing was questionable), all impacting natal Ceres and natal Moon, expanding the potential for sensitivity and reaction, and this in turn having an impact on the common sense and wisdom of the individual—and with Jupiter in the mix, we might consider the reaction could’ve been a fatal one.

There is one other thing: a natal aspect of the 24th Harmonic of 105 degrees (popularly termed the Squine, as it’s halfway between a square and a trine!) between Richard’s Zeus and his Ceres and Mercury. Though some feel there’s no reliable interpretation to be applied to this aspect, I believe that’s generally so because enough astrologers haven’t observed it in action for a long enough time to find consistent characteristics. We must keep in mind, too, that Ceres is not just about one’s interaction with Nature; it’s also about one’s sense of authority and interaction with those who hold authority, concerns boundaries and the propensity to overstep them, and applies to one’s negotiative abilities.

And we should add that natal Chiron in Cancer is also in the picture, trine Merc-Ceres and suggesting a primal wound possibly both figurative (to the thinking and communications) and literal (through allergies and sensitivities) that may involve an emotional reaction (Cancer). On the day of the incident, transiting Chiron was square natal Chiron (a moment of reckoning concerning wounds) and created a T-square by opposing natal Neptune, the ultimate obscurer of facts and sources, and the kind of response that can occur with the mental state (t Chiron quincunx n Mercury) in an allergic reaction: one can become ‘foggy’, losing orientation and even time, feeling physically irritated and uncomfortable–short of actual respiratory distress or anaphylactic shock, thinking unclearly, and perhaps prompting the imagination to set off on its own.

If Richard’s Ceres was ‘triggered’ by strawberry consumption, and this affected the thinking (Mercury), then too it could’ve affected the ambitions and desires (Zeus)—and as we know, when the ambitions are touched by fear such as may have occurred with a biological reaction interpreted as poisoning or an occult attack, then it wouldn’t be surprising for the ‘victim’ to have grabbed as much power and control for himself as possible, leading to the ominous and still unanswered disappearance of two little boys, and changing the course of a kingdom “

As to the Princes in the Tower, though we still can’t be sure what was the fate of the two princes, the story is that the bones of two children were discovered in the Tower in 1674; these were re-buried in Westminster Abbey. Some examinations have been done, but with questionable results according to modern forensic scientists, and the Church of England and its head, the Queen, continue to refuse to allow exhumation of the remains. And so the mystery continues.

Inner ring is Richard’s birth data; outer ring is the day of the strawberry incident, set at noon.

A RePrint on Eros and Hugh Hefner

01 Sunday Oct 2017

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Aphrodite, Pan, Eros, Photo By Jebulon – Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=44154701

Since Mr. Hefner has been in the news with his passing, I’ve seen mostly sentimentalized ideas of what he did and how he affected things–here’s my take, from March of 2008:

Eros as an energy that carries one away on a wave of passion outside the individual’s judgment and control is an idea I keep seeing put forward, and I feel compelled to poke some holes in such a Self-serving definition–it brings to mind those who say, when confronted with their highly un-loving choices, “But we’re in love!” Disloyalty, betrayal, or lacking respect for existing relationships is not a foundation of love, but of Self-indulgence, and it seems that these same people are the ones who want to point the finger and say, “Eros made me do it!” Well, all I can say is, that excuse doesn’t fly. (And in case you’re wondering, my vehemence doesn’t come from my own experience, as, even with a Venus/ Pluto natal square, it’s never happened to me; it comes from watching others feel that they are good, honest people who wouldn’t ever do anything to harm another, justifying causing others hurt in the name of love–and not seeing that what they are doing can’t be love when it’s perpetrated before extrication from existing relationships, causing pain based in duplicity.)

I thought a good way to show this is to illustrate an Eros that is being sold (literally!) as a combination of lust fulfillment, objectification, and the ‘appropriate’ expression of sexuality, defined as within a heterosexual Universe where the male is the aggressor and the female is a two-dimensional supplicant. You may recall from previous articles that in my view Eros is more of a projection than anything else, an eroticization of someone or something; as such, you choose the object; keep that in mind as we look at the chart of Playboy founder Hugh Hefner (9 April 1926, 4:20 PM, Chicago IL USA). Eros is involved in what could be considered a definitive complex for this man, with Eros at 18 Capricorn in the 4th, conjoined the South Node–already we have an indication that his concept of the erotic is at the least drawn from a past era or experience, as this was as true upon the founding of his magazine in the ’50s as it is today–already upon his publication’s inception the objectification of women as passive sexual objects was on the way out as an acceptable idea within the Collective. Here’s the real heart of things, though: his Venus sits at 3 Pisces in the 6th (“Women are my job!” is perhaps the perception?) at the midpoint of Eros/ Sun. We can say that his Soul intent and his erotic nature meet in his ‘ideal woman,’ who, ruled by Neptune, is either malleable, illusory, or whatever his imagination says she is! His Eros is also opposed Pluto, putting an almost mythic spin on things–he may strongly feel that he is in actuality defeating thanatos by expressing his idea of eroticism, and he may feel it was imperative this express materially (sextile to Saturn)–certainly his lifestyle choices, unchanged through the decades, supports this.

Venus is sesquiquadrate Earth and semi-square Sun and Eros–this suggests that he felt compelled to deal with his Venus issues (and to make money from it, as they’re intertwined here), in order to succeed in both material and Soul purposes–and yet the aspects themselves say that the challenge was in doing this in a positive way–I think the Collective jury’s out on whether what he’s done has any worth beyond the exploitative. Venus also trines a Vesta/ Pallas conjunction, adding points for truly admiring women as wise and a part of the sacred–but a Jupiter/ Juno conjunction in the 5th implies he thinks women have far too much power, in romance and likely through the ability to bear children (wow, that’s an ancient concept–and we’re idea-wise back to the South Node/ Eros conjunction).

How does he see himself? His Mars is in Aquarius, so his idealized Self is likely an intellectual–this has certainly always been one of the most grating of the Playboy pretensions–and it is quincunx Pluto (see thanatos, above), semi-sextile the Moon in Pisces in the 6th (remember, the 6th is also the House of those who serve us, and his Venus is there, too–I’ll let you parse that out on your own!), and lastly, his Mars opposes Ceres, perhaps implying that he sees Mother Nature and the inherent authority of the female as ‘against’ him somehow. What little we’ve talked about draws a relatively unflattering portrait of a man who in many ways created his empire more out of fear than a true ‘philosophy’–but is this really surprising? More on Eros is available in my book, THE ASTROLOGY OF INTIMATE RELATIONSHIP, at Dog and Sunflower Press, and if you’d like to look up your Eros http://www.astro.com/swisseph/eros.htm

I’ll be posting for the Full Moon of the 5th in a day or two. Have a great week!

 

For Those So Inclined, A Horary Puzzle, And My Solution

12 Friday May 2017

Posted by in Horary, Something For You

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On May 3rd I realized that a gift card I thought was in my husband’s wallet was not there, and no where to be found. There was some question as to whether I’d ever actually given it to my husband, whether I may have taken it back, and whether it may already have been spent. After turning the house upside down, then sitting down with a glass of wine (because hunting is thirsty work!) it occurred to me to draw a Horary to ask, ‘Where is my gift card?’ The chart had an early Ascendant, technically suggesting it is not safe to judge–that is, won’t deliver a reliable answer–though the meaning of a Horary Ascendant in the first three degrees of a sign should be read as, ‘It’s too soon to tell’, implying the matter is in some way not yet developed enough to provide an answer. I read the chart anyway, as an early Ascendant in a lost item case may simply mean that even with the info provided in the chart, it may be some time before conditions are ripe for finding the item. I’m posting the chart, and anyone who’d like to take a crack at reading it may–you can leave your interpretation in the comments if you like–then next week I’ll post my reading of it, and the outcome of the matter, which happened today, the 12th.

Hints for successful interpretation: Keep it simple–lost items are signified by the ruler of the 2nd and potentially by any bodies located therein, with placement and dispositor of the ruler often being helpful in obtaining a correct answer; the Moon is important in how things will progress; ignore anything not directly related to the question–that helps give a ‘clean’ answer and keeps you from being distracted by irrelevancies. After quite a bit of experimenting, with obtaining a clear and informative answer to a question the goal, I’ve used the methods outlined in March and McEvers ‘The Only Way To . . . Learn About Horary and Electional Astrology Volume VI’ with the best and most consistent results, and that’s what I used here. Happy Interpreting, and have a great weekend!

Hello! I’m back to fill you in on how the chart worked for me. As mentioned, the Ascendant is considered too early for a clear answer (in this case, 2 Scorpio 04, within the first three degrees of the sign). Though this is considered ‘unreadable’, it doesn’t prevent gleaning info, it only says that things have not developed to a definitive point yet–and as it turned out, this was right, as it took me until the 12th to find the lost card, even having the chart info.

For those curious, there are four main proscriptions against reading a Horary chart: an Ascendant that is either in the first three degrees (too early to know) or in the last three degrees of a sign (the matter is already settled, so you can find out the particulars, but you must be aware you can’t at this point change the outcome); Saturn in the 7th–this suggests that the astrologer who’ll read the chart doesn’t understand it, or may miss something; if the Moon is Void–that is, won’t make anymore major aspects before leaving the sign; and if the Moon is in the Via Combusta, the real estate between 15 Libra and 15 Scorpio. This latter is an ancient rule which was based on this section of the sky containing a number of malefic fixed stars, but I don’t use this, as experience has shown me it doesn’t seem to apply anymore.

For a Horary, we state (and write down!) the question as clearly as possible, in this case, ‘Where is my gift card?’ I am the querent as well as the astrologer; my significator is Mars (and in a pinch, Pluto) since it rules the House that represents me, the 1st. Mars is in Gemini in the 8th, hinting at involvement of my husband, especially since I had asked him to carry the card in his wallet, which from my POV is definitely the 8th! The Moon is always co-ruler of the question, and as such can be considered as also repping the querent (unless another entity in the chart is ruled by the Moon). Luna always shows how the rest of the matter will progress by what it will aspect while still in the sign–applying aspects (or ones not yet formed) show the future, while aspects already formed by the Moon to other bodies while in this same sign show the past (unless the Moon is making a separating aspect to a relevant significator and it is one degree or less past exact). In this case the Moon’s at 25 Leo 53, late in the sign but not Void, suggesting that we’re close to the end of the matter, just not quite there yet.

Lost objects are generally represented by the 2nd House; here the ruler is Jupiter, located in Libra in the 12th, and the 2nd House holds Black Moon Lilith and Saturn. That Libra, the sign of partnership, is involved, added to the placement of my sig in the 8th, at first made me think my husband might still have possession of the card, or at least knew where it had been hidden or disposed of (12th)–but, we’ll soon see why these ‘hints’ that echoed my own thinking turned out to be red herrings.

In lost objects we look not just at aspects, but at the directions signified by the Houses, and locations related to signs, even at associated colors, in some instances, to help find the object. We start with Jupiter, ruler of the 2nd, which is in Libra in the 12th. In lost object Horaries, or in any Horary where we are asking about the return of something or where a change of mind may come in, we note retrogrades, and in this instance, we have retro Jupiter as significator of the item, suggesting it will turn up, one way or another. We also look at dispositors of the object ruler, in this case Venus (ruler of Libra) which is in Aries, ruled by Mars, which is in Gemini, ruled by Mercury, which is in Aries, with final dispositor Mars, as the line turns back on itself (and just happens to be my significator, pointing toward me being responsible for where the object is).

With lost items, there is a general assertion that if the ruler of the object is in Virgo or Pisces, or the 6th or 12th, it is not readily visible and will be found in a ‘closed’ place, like a drawer, pocket, chest, or other enclosed area. The 12th placement of lost item sig suggests something thoroughly hidden, possibly undetectable, virtually invisible! And its final dispositor reinforces that, as sitting in the 8th it suggests totally hidden, as well. Now here’s where I need to mention that there are specific places listed as potential spots where the item will be found that correlate to sig placements, but as the reader of the chart, we must use logic and our own discretion in following leads. With 8th and 12th there is an uncanny correspondence in both Houses to laboratories, hospitals, and plumbing, wet areas, etc., which just don’t add up in this case, but which must be peripherally kept in mind, in case the more logical locations don’t pan out.

We also look at signs, with Libra suggesting attics or bedrooms–and the bedroom being exactly where I’d been looking for the card. Gemini, as sign of the dispositor, names a number of potential spots, but the ones that stood out are, per March and McEvers, “Near a wall, wainscoting, in a chest or trunk”. Air signs denote a spot ‘high up’. This indeed led my original search when I first did the chart, sending me to a pair of purses leaning against the wall on the top shelf of the closet in our bedroom, in the south by west corner of the room, corresponding to the dispositor. The southeast was suggested by the significator placed in the 12th, which seemed to point to the bedroom, which is in that corner of the house (and there is no furniture in the southeast corner of the room). I did not find it at that time, in spite of a thorough (or so I thought) search.

I couldn’t let it go; I was sure the chart was telling me where the card was, and I just wasn’t (yet!) seeing it, which from the early Ascendant was to be expected. I looked at some more obscure references, such as Venus, ruler of Jupiter, in the 6th in Aries, which offered several suggestions along the same vein: in a place of work or office, in a box, pocket, drawer, or cabinet (and I had searched all the coat and jacket and sweater pockets I could find), with Aries offering one helpful suggestion: in places not often accessed. I looked too at suggested colors, which I usually don’t use, though I will sometimes read through them in case something jumps out. This time Libra, location of the lost card significator, listed ‘pastel colors’. Nothing immediately came to mind.

This dresser was the culprit. Notice how innocently it hides things.

Though I thought I’d already searched it completely, I decided to go through a dresser that sits right next to the closet, in the same direction/ part of the room. I was sure I wouldn’t find anything–until I’m looking in one of the drawers, and something clicks. It was the ‘thoroughly hidden’ facet, plus the ‘not accessed frequently’ facet, plus the Libran pastels–which lead me to lift up a pile of neatly folded, pale-colored scarves in a section of the drawer I hardly use–and lo and behold, there was the card!

So, it was found (retro status of the ruler), was essentially where it had been described as being, but it took some time going by to ‘let things develop’ (the early Ascendant). In looking at the chart after the fact, hoping to see where the timing for finding the item might’ve been indicated, I found the only correspondence between the Moon (which shows issue progress) and Saturn, found in the House indicating the lost object. It showed roughly and just under 1.5 degrees to perfection of a trine in Fire. Time to act! and corresponding to approximately 9 days later (1.5 weeks) when the object was found, just as the transiting Moon was within orb of conjoining the object’s significator. And, not to be forgotten, we saw a developing trine between me (Mars) and lost object sig (Jupiter), promising that Yes, I would find the card.

I know that’s a long explanation–thanks for your patience, and your interest–and have a great weekend!

Why Are They Together? Bill and Hillary

31 Sunday Jan 2016

Posted by in relationship astrology

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Bill and Hillary Clinton Natal Wheel

Here’s a reprint from 2008, for the curious and the bemused, on this lazy Sunday:

Sometimes the attraction between partners is lost to onlookers. No other modern couple has caused the puzzled scrutiny and armchair analysis of their relationship more than Hillary Rodham and Bill Clinton; now I’ll add my astrological take on the ‘whys’ of their relationship, using techniques featured in my book, THE ASTROLOGY OF INTIMATE RELATIONSHIP. There’s just not room here to do an exhaustive dissection of the relationship astrologically, but in any case I find that’s rarely needed; not to shortchange any relationship on its complex nature, but the interaction between two individuals can typically be outlined fairly with a few strokes, and there are always a small handful of contacts that describe the relationship’s essence, and thus satisfy our goal without getting lost in minutiae. Conjunctions often spell out the core of the interaction, and in significant relationships there’s usually no shortage of these.

In many ways, the ‘star’ of this relationship in terms of attraction is the meeting of his 1st House Venus to her 12th House Neptune.  Venus in a man’s chart shows his ‘ideal partner,’ and in Bill’s case this is someone who probably literally embodies his anima (1st House placement); posited in Libra, his desire is for someone gracious, partnership oriented, and lovely as seen through his eyes, and conjoined Hillary’s Neptune, this may be precisely what he sees. In what’s likely a combination of projection of his Venus and the naturally obscuring and inspiring qualities imparted by contact with another’s Neptune, Bill may be genuinely confused by the polarized reactions others have to his wife. In the other direction, she may find his anima expresses certain more Universal qualities for her; he may carry to some extent her more empathetic qualities. He feels (and perhaps expresses) her pain, as well as that of the Collective.

Her Sun at 2 Scorpio is widely conjoined his Libra Juno, again referencing the strength of the Venus connection, as he will see Libran energy as ‘wifely.’ With this contact her very Soul essence expresses not just this ‘wifely’ role to him, but the power of the Scorpio placement is supported by him; he expects her to show a strong, empowered Self. What’s more, her Juno at 29 Sag (and we know what those 29 degree placements mean–they must express!) is conjunct his Pallas–he sees her as highly empowered and his own role as lending wisdom and skill to this.

His Earth conjoins her Pallas, suggesting that he grounds and supports materially the expression of her innate wisdom and skills. His Ceres squares her Sun, likely allowing her to carry his anima authority figure (though not without some conflict between them)–he may feel she’s something of a force of nature! And her Fire Jupiter fills in a Fire Grand Trine cross-chart with his Saturn and Vesta, painting a dynamic picture of real-world service to the social sphere as important to them both.

Bill’s Sun falls in Hillary’s 10th, conjoined her Zeus and Saturn–not the most romantic of placements, but she may feel she has a true supporter in him, and that her ambitions can be fulfilled through him, while her Sun falls in his 2nd–considering some of the already discussed contacts, he may identify with her, especially with her talents, very strongly–something that would probably surprise a great many people.

His Sun is conjoined her Saturn, a bit of a danger position. Even though strong, direct Saturn contacts in both directions (each person’s Saturn contacting something of the other person’s) are necessary for a relationship to be both lasting and serious, this is one of the tougher interactions, as she will spontaneously, and almost in spite of conscious feeling desire to repress his very essence (the Sun). He will sense this, and, considering the other contacts, will both remain in the relationship and seek to avoid her control at every turn; with his Saturn square her Sun, however, he may do the same to her, but more obliquely (square) likely through methods of open conflict.

Finally, we should backtrack a bit and look at general partner preferences for each. We’ve talked about Bill’s Venus, but what about Hillary’s? It sits in Scorpio; ‘ideal Hillary’ would have all the sexy, mysterious, stinging Scorpio attributes. Her ideal partner would have Leonine qualities, as shown by her Mars in Leo, and Bill has five placements there, including the Sun. As to his ideal view of himself, his Mars is in Libra, again aiming for partner-oriented, gracious, and sharing qualities with an aesthetic bent, just like his ideal woman.

We could go on with many more features, but I’ll close with this: her Ascendant squares his Sun-Zeus. This suggests that her personality rubs him the wrong way, at least in terms of what he believes will fulfill his Soul intent, ambitions, and desires; but her Midheaven, Saturn, and Zeus are widely conjoined that Sun-Zeus, suggesting her public persona, her sense of restraint and stability, and her ambitions complement his and help fulfill his wants. His Midheaven to her Vertex only reinforces the ‘destined’ feeling. No interaction is without its negatives, but when the aspirations of each individual connect so cleanly, they can remain together in spite of events that would break others apart.

See my books here–

Bits ‘n Pieces for 3-5 January of the New Year 20 and 16!

02 Saturday Jan 2016

Posted by in astrology, current events in the sky, Mercury retrograde, Retrogrades + Directions

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Sure, women can be Plutonian, and it doesn't mean she'll devour you, either! John Collier 'In the Venusberg Tannhäuser' 1901 {{PD}}

Sure, women can be Plutonian, and it doesn’t mean she’ll devour you, either! John Collier ‘In the Venusberg Tannhäuser’ 1901 {{PD}}

Do you have any Plutonian people in your life? If so, do you find you’re able to understand (or maybe withstand!) the sheer energy they emit better than the average human? And do you notice they don’t seem to understand their own psychic strength? If you’re hanging around with Plutonians, you’ve probably got a strong Plutonian inclination yourself–nobody else could put up with the x-ray vision that burns as often as it’s insightful, or the ripple that runs through the Cosmos every time one of these Hadean natives gets upset. This came to mind when I was interacting with my very Plutonian husband; he entered this plane in one of those waves of Uranus-Pluto in Virgo, and he has the added bonus of Mars also conjunct this pair, with an Aries Sun like a cherry on the energy sundae, focusing an enormous drive and powerful persona through the individual identity. We were talking about effective communications, and I mentioned to him that the way he goes at interaction is highly Plutonian: he charges forward, bludgeons the unsuspecting with words, then dashes away to his (mental) cave. For him, every conversation is a confrontation, everyone else someone to be bested; he’ll drag you into his own special hell, if given half a chance. It’s not a bad place, it’s just the one he’s comfortable in, and if you can stand the heat, you can get a lot out of that kitchen. Luckily I have Venus in Scorpio; I adore this energy, and I’m absolutely not afraid of the dark, literally or figuratively. What about you? You might be a Plutonian if:

3 points and you can definitely sympathize, empathize, and understand the Plutonian viewpoint; 4-6 points and you find that shadow in you at times; 7-8 points suggests a Plutonian facet to your nature that is definitely a vital expression of who you are; and 9 or more points makes you the Plutonian others make way for.

Somebody searches me every day, and every day they spell my name wrong; they add a ‘w’ where there is none. I don’t mind the misspelling, I mind what it says about the person seeking help. They are bothering to search out what I have to say, but they aren’t observant enough to realize that, day after day, they are searching incorrectly. It implies they aren’t really seeing what’s in front of them, and that implies they aren’t really understanding the posts they find. Whoever you are, slow down and really look–it can only make things easier.

Mercury hit 29 degrees on the 31st and we experienced a cascade of equipment failures over the following hours: my camera and memory card died (after being lost all summer and then working strangely); our car battery died with no warning; and our phone didn’t stop working, but it no longer rings and the speaker function doesn’t work (to everyone’s delight, really, because who likes to be on speaker?); and the cable ‘disappeared’, taking television service but not the internet with it! By the time Merc entered Aquarius in the AM Pacific time of the 2nd, all was resolved, but with Merc going retro at 5:06 AM PST on the 5th, we may have been dealing with what amounts to material world electrical/ modern method chaos, shaped by the sign and degree placement, but spurred by the upcoming retrograde. Leaving Capricorn may have strained the physical components of what carries energy impulses of one kind or another, as if the components themselves were being dragged across a rough surface; drained and damaged, the stress is only cleared with Merc’s entry into the tech-aligned sign of Aquarius. Also of note is the way Merc retros only 2 minutes from completing a square to Mars, suggesting that during the retro period we may want to act, or express our energy or anger, but may not be able to, or may first try words–which may prove woefully inadequate.

But with the retro only days away, I’m anticipating we might have a recurrence of the situation we just saw when Merc once again moves into Cap. This happened between my Whole Sign 12th and 1st Houses, suggesting that what manifested may have been expressions of ‘me’ and my unconscious, specifically in the ways I wanted to change communications, especially communications that were personal (the 1st). Where did it happen for you, and what effects did you notice, if any?

3 January we may discover our active philosophy of life and our working beliefs clash somehow with our highest ideals. With Mars entering Scorpio, we’ll have the energy and drive to dig it all up and resolve the discrepancy–and that’s a good thing to do, as carrying that kind of dissonance disrupts everything. A lucky ‘shift’ in Love or Money is also on the agenda; it’s change you can embrace and enjoy, a kind of reward for those open to modifying the current arrangement (Jupiter contra-parallel Vesta, Venus nov Pluto)

4 January is the day to ‘do it’: we enjoy almost unprecedented internal harmony, a surfeit of wisdom, practical skills are on point or we receive required help within the social sphere, and thoughts vibe to Love, though for a few Money might be the mental tuning fork. What we seek is right in line with our deepest values, and honors what we truly care about (but be prepared to see what you or others really care about–we could find our emphasis is on Love, Money, Relationships, or Life Values when we thought it was on a different one of the four). This is a day with ‘Success!’ written all over it, for those who trust themselves and the Universe–everybody else just gets a nice little boost so really, nobody loses (Jupiter trine Pallas, Venus trine Vesta, Merc parallel Venus)

5 January is an important day, though it might not be an easy one. We see what needs to change, and we may have to answer for missteps made yesterday that were based on misperceptions, fantasies, or lies. As a result, tempers will flare, even if our touchiness is only within our own minds; we won’t like having to face matters we’d rather ignore (especially if we’ve been successfully ignoring them up to now!) but doing so will have the virtue of clearing up a lot of shadows and handing back to us wasted, stolen, or misplaced energy (Venus sq Neptune, Merc sq Mars–though it doesn’t perfect–and Sun conjunct Pluto, both sq Black Moon Lilith)

Many thanks to my Twitter followers! It’s become overwhelming to keep up with and respond to RTs and other kind gestures, but I do appreciate them, and will try to keep adding original content in addition to the notices for blog posts. Thanks again!

See my books here–donate if you follow these posts and find them useful–and enjoy your week!

VESTA IN THE NATAL CHART IS HERE!

16 Wednesday Sep 2015

Posted by in Asteroids, astrology, Books, Vesta

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Arnold Böcklin {{PD}}

Arnold Böcklin {{PD}}

“Vesta’s placement in the natal chart tells us what we find sacred in life, what is, without question, to be honored. She is a compass that points unerringly to our most revered values. The quality of the sacred with which the Vesta spirit is imbued makes it an indicator of and channel for the spiritual and for expression of the Soul’s intent. It’s the symbol of all we hold in highest regard, the things we’re willing to dedicate our life energies to, to protect, to harbor, and to sacrifice for, and it acts as a kind of internal beacon that recognizes ‘home’ in all its forms and guises; as well, Vesta tells us with what externals we want to merge–this can be through sex, or through some other dedication of energy, time, or attention, but it always reflects a spiritual unity, a choice to fuse the Soul with the spiritual essence represented by an ‘Other’. With Vesta we might modify the idea of ‘As above, so below,’ to ‘As in the spiritual realm, so in the physical one.'”

 

100 8.5 x 11 pages printed, just under 64,000 wds. Offering 49 examples of Vesta in individual lives, in interactions, and in events

$14.95 USD Secure Payment via PayPal Delivery of your PDF by email within 12 hours of purchase

Purchase means you agree not to create multiple copies, or to re-sell, share, or transmit copyrighted material in any form

ISBN 0-9658369-4-0

The Final Verdict on Amanda Knox

28 Saturday Mar 2015

Posted by in Current Events, Transit Effects Explored

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A different kind of Italian court. Andrea Mantegna - 'The Court of Gonzaga' c1470 {{PD}}

A different kind of Italian court. Andrea Mantegna – ‘The Court of Gonzaga’ c1470 {{PD}}

Yesterday the Italian high court reversed the conviction of Seattlite Amanda Knox in the death of her roommate Meredith Kercher. I took a brief look at the transits for the day of announcement, set to Seattle timed for early afternoon in Italy, and compared with Knox’s chart in Whole Sign. What I found isn’t terribly surprising, but it is interesting.

The Moon is passing through Cancer, so is in Knox’s 2nd House, running over her Venus, Mercury, and Sun=a sort of emotional verification of the identity, a validation of the communication style, and a feeling re-connect with the sense of herself as a woman, all of which she naturally sees as her assets. The natal Sun is caught up in a Cardinal Cross, with t Pluto conjunct Earth and the other arm consisting of t Zeus opposed t Uranus=ambitions and individuality/ uniqueness, and/ or a new group role, are ignited by transit, as are ambitions and a ‘new’ identity–and this won’t be entirely easily manifested, by any means (the stress of the Cross). Transiting Jupiter, though currently retro, will soon enough be heading toward trine with her natal Saturn=this unites the 7th and 8th Houses, and suggests opportunity will pour in; others will support her version of reality–with Uranus this also creates a Fire Grand Trine, emphasizing the sudden nature of the event (and perhaps surprising many–there were reports earlier in the week that the ex-boyfriend also charged had already had his passport confiscated and authorities were preparing to pick him up). Transiting Pallas is trine natal Jupiter=wisdom and knowledge, the facts (according to Knox, as this is her natal Jupiter), in harmony. Transiting Mars is conjunct natal Jupiter, uniting 7th and 11th=action by others that makes a dream come true. And transiting Saturn and t Juno fill in another Fire Grand Trine with the natal North Node and the t Sun, suggesting that Knox’s empowerment within the reality picture was the direction things were headed all along, and is now illuminated. Clearly, she got what she wanted–and I say, good for her.

There are a few other things here, though, one being that t Black Moon Lilith, t Pluto and her natal Earth, and t Venus all form an Earth Grand Trine=evidence of hidden matters, material ignored or denied, may be a source of profit, may drive further material action, or may serve to create new relationships or values. T Venus is also opposed her natal Pallas=possibly implying that trying to profit from this isn’t a wise thing. Transiting Mercury is also trine natal Black Moon Lilith, suggesting matters denied or ignored will be thought about/ communicated, possibly through rage or defiance, or through strong Self-assertion. Transiting Ceres squares natal Jupiter, implying a conflict between those in authority/ power and the facts as Knox sees them–this supports the possibility that Italy did not press things as they were reluctant to ask for extradition for someone so many Americans are defending. T Mercury also creates a Grand Cross with opposition to her natal Zeus and her Chiron-Vesta opp Ceres-Uranus-Moon=we’ve not heard the last of this, and are likely to be served a stew of ambition, a display of ‘sacred wounds’ (the concept of the Vestal united with the primal injury) that others dare not criticize, and the use of the unique situation and emotions to show personal power. Hmm. With t NN heading for a Grand Trine with both MC and ASC, and t Neptune trine her natal Mercury, it’s prime time for Knox to conjure the image she wants, to shape thinking and create the reputation and personality she wants others to see.

My husband made a remark that I think really sums it all up. What he said went something like this: If she’s not guilty of the murder, then justice has been served; and if she is, she will likely be like others who ‘got away with it’: inevitably, they go on to again run afoul of the law–so, if we as humans haven’t handled the situation adequately, we should know that the Universe eventually will.

Amanda Knox Natal Chart + transits for day of conviction reversal

Snapshot of a Life: Photographer Vivian Maier

25 Wednesday Feb 2015

Posted by in astrology, ECLIPSE magazine, Natal Delineation

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Taken at the "Finding Vivian Maier: Chicago Street Photographer" exhibition in Chicago 8 January 2011 http://www.flickr.com/photos/chicagogeek/5337419802/ Author ChicagoGeek Creative Commons Attribution-Share Alike 2.0 Generic

Taken at the “Finding Vivian Maier: Chicago Street Photographer” exhibition in Chicago 8 January 2011
http://www.flickr.com/photos/chicagogeek/5337419802/
Author ChicagoGeek Creative Commons Attribution-Share Alike 2.0 Generic

What follows is a brief look at the chart of Vivian Maier, subject of a recent documentary, taken from the pages of ECLIPSE.

I heard and saw mentions of her, bits and pieces: amazing photos. dead now. a nanny. walked around Chicago for years, taking photos. Nobody noticed. And then I caught ‘Finding Vivian Maier’, a documentary, on HBO. I was prepared to witness some great photos, and perhaps the sadness of a life not lived to as full an extent, or as widely celebrated, as it might‘ve been. What I saw instead was a portrait of a woman who had been seen as mysterious largely because she was both exceptionally private and thoroughly estranged from any family, who preferred the company of children (whom she often bullied) to that of adults, and with a background involving time spent in the village of her mother’s birth in France that had some acquaintances privately calling her accent phony.

I admit I’ve had a very difficult time writing about Maier, for as intriguing as it is to learn about a newly-revealed talent, Maier as an individual seems to have been difficult, and often unpleasant. By the last third of the documentary I found myself looking away at least as much as actually watching, not out of disinterest, but out of the sense that she was a human being who had inflicted pain on her charges, with the obvious inference that this was because she lacked the Self-awareness to separate her own behavior from the pain that had been inflicted on her—a nasty revelation about the doc’s subject, to be sure, and one I felt ambivalent about: did her faults as a human being detract from the body of work she left behind? Ideally, in my view, the work should speak for itself, but when the life seems to provide such a telling frame for the work, one that may be in stark contrast to what is produced while still holding the reflection of it, it may be unfair to look at one without the other, if only because one would not exist without the other.

With no birth time, we have no Houses, Ascendant, or Midheaven, and so Maier (1 February 1926 ntk New York NY USA) remains more mysterious than not; however, an Aquarius Sun sextile Sedna, trine Pallas, quincunx Pluto, and opposed Black Moon Lilith suggests an instinctive urge to hide from (and sometimes to battle) what may have felt like destructive, even vindictive, external forces. She may have seen confrontation (the opposition) as the only wise response to the anger or darkness or manipulative (to her) behavior of others (Black Moon Lilith, disowned, seen as ‘the Other’ through opposition), with the need to continually adjust the power expression/ situation (Pluto qnx) just the smart thing to do (Pallas trine).

The Sun is in an interesting spot: it sits more than 9 degrees from retrograde Venus, which suggests to me the potential rejection of the Venusian facets of Beingness; it’s like a statement, “I’m not beautiful, I don’t have money, relationships and Love are not ‘me’” (via the retro status) but if we had a birth time we would have Houses, and so see how the Art of photography was accepted as ‘hers’ when the other Venus qualities seem not to have been—and yet, we need to look no farther than the Ceres-Neptune opposition to Venus to find a possible explanation. This could imply that in rejecting (or in believing it wasn’t accessible to her in the first place) the usual Venusian expression she was able to embrace what opposed it—in this case, a connection to Nature and her ‘natural’ role as an authority (Ceres–which she may have lived as the ‘pseudo-mother’ to a couple generations of children) melded with her photography (Neptune, in Leo—and proportionally she seems to have taken a large number of Self-portraits—even when the lion hides, she doesn’t).

The observational eye of Maier’s camera seems attuned to those who don’t normally receive that much attention; she finds and frames the ordinary, the every day, and appears to make a specialty of informal portraits of those who aren’t used to being noticed. The Venus-Neptune connection could bestow the ability to see and appreciate what’s usually invisible, the beauty that’s typically obscured. Mercury and Jupiter are conjunct in Aquarius=choosing a modern means of communicating, and in contacting the social sphere; with the camera always between herself and her subjects, Vivian may have made an overarching statement about what she truly found worthy by what she chose to photograph—that was her statement, loud and clear. She takes an intellectual approach to society, communicating and recording with something of a cool, dispassionate gaze, through the camera. With Merc-Jupiter opposed Zeus, there’s no doubt that she saw her photos as an expression of ambitions and talent as even on the surface she appeared to deny she had any ambition at all.

Many ask why Vivian didn’t share her work. We see Juno (empowerment) and the South Node (the past) conjunct in Capricorn, and these hook by aspect into ruler Saturn, Uranus, Chiron, Mars, and Ceres-Neptune=this may speak of when Vivian and her mother lived for a time in New York City around 1930 with photographer Jeanne Bertrand, who likely taught Vivian the ‘rules’ of photography, and acted as an example of how taking pictures could empower, by giving the photographer a god-like ability to literally choose what will be seen, to frame, to crop real life to one’s liking. These contacts link empowerment and the past to the ego and action urge, material reality, originality and innovation, the wound/ healing or the Chirotic gift (in this case, in Aries, suggesting a need to heal so that she could do ‘me first’, and so act as an example), and that natural expression and creative energy—and yet the presence of Saturn may have muted the urge to take any action to share the work. The idea could’ve been that empowerment comes from a contained, modest life, where originality and urges toward independence were kept small, offering little encouragement to the Artist within her, who may have been hungry for more, and on a bigger scale (that wide conjunction of the Sun to Jupiter).

In fact, that Ceres-Neptune, so instrumental in her creative stance, is part of a Fire Grand Trine involving Mars and Chiron. This implies that, had she found healing and felt support in this life, she would’ve expressed her personal power (that the Soul required she make adjustments for—Sun quincunx Pluto) through creative action, as a ‘creative authority’ (Neptune-Ceres); but she clearly wasn’t able to heal, and so the creative output was toned down—not exactly hidden, but likely seeming untenable as a lifestyle and means of earning, despite the example of Bertrand.

And what of the clearly implied violations or abuse both suffered and administered by Vivian? There’s a point in the documentary when a portion of the will of Vivian’s aunt is read, (and I paraphrase), ‘I exclude all living relatives, and they know exactly why’. Whatever injury occurred in this family, it spanned generations. Vivian definitely had a Virgo Moon, with ruler Mercury planet of earliest degree, and conjunct Jupiter=does this represent exaggerated critical emotions, something even the strongest motivations would be hard pressed to overcome? It could, and with Jupiter representing society as a whole (and so possibly the children she cared for) conjunct the Sun in stressful relationship to Pluto, Vivian may have related to the children, seeing them as very similar to, even a part of, her (Sun-Jupiter) but have been in constant Plutonian turmoil that expressed through her treatment of them rising from her own past experiences—for if she sees herself in them, then the pain is alive and present, all the time, and she shares it as she experienced it.

Venus opposed Ceres and trine Vesta suggests that, though she at least theoretically valued beauty and relationships (along with all things that would be designated by the two Houses Venus rules, if we knew her birth time), there was a never-ending struggle going on, one where authority figures, particularly maternal ones (Ceres) always won over ‘the girl’ (Venus), with Vivian casting herself as the weaker player, even when she cared for children—that would’ve brought out the Soul-pain (Sun-Pluto), as Vivian would then play the powerful Ceres figure to her ‘spoiled’ and privileged (Venus) charges. The Venus situation becomes a loop of longing and denial, fed over and over through the mechanism of adjustments to the power scenario—with no reasonable resolution in sight.

I thought I’d provide links so that you can see how really crisp and gorgeous her photos are: http://www.vivianmaier.com/ about her life: http://www.vivianmaier.com/about-vivian-maier/ http://vivianmaier.blogspot.com/ http://www.motherjones.com/media/2011/04/vivian-maier-john-maloof http://www.newyorker.com/magazine/2014/03/31/candid-camera-2 (the latter link addresses the film on Maier mentioned earlier) and for info on the very unusual copyright conditions in this case, see this: http://gapersblock.com/ac/2013/08/13/the-curious-case-of-vivian-maiers-copyright/